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Robert Spreng and His Photographs of O.R. Salvisberg's Executive Office Building presents a compelling visual and architectural study of a seminal modernist structure in Switzerland. The book centers on photographer Robert Spreng’s detailed documentation of architect Otto Rudolf Salvisberg’s iconic executive office building, constructed during the early 20th century. Through a series of crisp black-and-white images, Spreng captures not only the building’s clean lines and rationalist design, but also its nuanced interaction with light, space, and the urban landscape. Accompanying texts provide historical context on Salvisberg’s architectural philosophy and the significance of this building within the broader movement of European modernism. This title offers a rare glimpse into the collaborative narrative of architecture and photography, making it valuable for students, architects, and collectors of mid-century design.
Buchkauf
Robert Spreng, Robert Spreng
- Sprache
- Erscheinungsdatum
- 2001
- product-detail.submit-box.info.binding
- (Hardcover)
Keiner hat bisher bewertet.
- Titel
- Robert Spreng
- Untertitel
- Und seine Fotodokumentation zu O. R. Salvisbergs Verwaltungsgebäude der F. Hoffmann-La Roche, Basel /And his photographs of O. R. Salvisbergs executive office building for F. Hoffmann-La Roche in Basel
- Sprache
- Englisch
- Autor*innen
- Robert Spreng
- Verlag
- Ed. Roche
- Erscheinungsdatum
- 2001
- Einband
- Hardcover
- Seitenzahl
- 121
- ISBN10
- 3907770854
- ISBN13
- 9783907770856
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Fotografie
- Beschreibung
- Robert Spreng and His Photographs of O.R. Salvisberg's Executive Office Building presents a compelling visual and architectural study of a seminal modernist structure in Switzerland. The book centers on photographer Robert Spreng’s detailed documentation of architect Otto Rudolf Salvisberg’s iconic executive office building, constructed during the early 20th century. Through a series of crisp black-and-white images, Spreng captures not only the building’s clean lines and rationalist design, but also its nuanced interaction with light, space, and the urban landscape. Accompanying texts provide historical context on Salvisberg’s architectural philosophy and the significance of this building within the broader movement of European modernism. This title offers a rare glimpse into the collaborative narrative of architecture and photography, making it valuable for students, architects, and collectors of mid-century design.