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Hal Fischer's Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men (1977) is a pivotal work in California conceptual photography. This new edition mirrors the original volume, which featured 24 text-embedded images from Fischer's series. The photographs capture the codes of sexual orientation and identity observed in San Francisco's Castro and Haight Ashbury districts, showcasing sexual signifiers like handkerchiefs and keys, as well as various gay fashion "types" from that era, including "basic gay," "hippie," and "jock." Accompanying the images is Fischer's critical essay, which shares the same wry, anthropological tone as the visual elements. The book gained widespread circulation, resonating with both the gay and conceptual art communities. Fischer emphasized the visual equivalence of word and image, a characteristic of the loose photography and language group that included notable contemporaries in the San Francisco Bay Area. Initially published as an artist's book in 1978 by NFS Press, it emerged during a time when gay individuals were compelled to evaluate and defend their lifestyles. Over three decades later, it remains a powerful statement from within the gay community, reflecting a historical moment just before the onset of the AIDS crisis.
Buchkauf
Gay Semiotics, Hal Fischer
- Sprache
- Erscheinungsdatum
- 2015
- product-detail.submit-box.info.binding
- (Paperback)
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- Titel
- Gay Semiotics
- Sprache
- Englisch
- Autor*innen
- Hal Fischer
- Verlag
- Cherry and Martin
- Erscheinungsdatum
- 2015
- Einband
- Paperback
- Seitenzahl
- 56
- ISBN10
- 0976184176
- ISBN13
- 9780976184171
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Kunst, Fotografie, LGBTQ+ Literatur
- Bewertung
- 4,4 von 5 Sternen
- Beschreibung
- Hal Fischer's Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men (1977) is a pivotal work in California conceptual photography. This new edition mirrors the original volume, which featured 24 text-embedded images from Fischer's series. The photographs capture the codes of sexual orientation and identity observed in San Francisco's Castro and Haight Ashbury districts, showcasing sexual signifiers like handkerchiefs and keys, as well as various gay fashion "types" from that era, including "basic gay," "hippie," and "jock." Accompanying the images is Fischer's critical essay, which shares the same wry, anthropological tone as the visual elements. The book gained widespread circulation, resonating with both the gay and conceptual art communities. Fischer emphasized the visual equivalence of word and image, a characteristic of the loose photography and language group that included notable contemporaries in the San Francisco Bay Area. Initially published as an artist's book in 1978 by NFS Press, it emerged during a time when gay individuals were compelled to evaluate and defend their lifestyles. Over three decades later, it remains a powerful statement from within the gay community, reflecting a historical moment just before the onset of the AIDS crisis.