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Sondra Perry

A Terrible Thing

Autor*innen

  • Autorenkollektiv

Parameter

  • 136 Seiten
  • 5 Lesestunden

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What turns a random space into a place? What inscribes history into it, or lends it significance? These questions occupy the installation artist Sondra Perry in her current piece, A Terrible Thing, for the Museum of Contemporary Art in Cleveland. On Euclid Street in the heart of Cleveland, Perry carries out a kind of archaeological study of the street’s history, using video, pictures found online, and digital methods of representation. The infrastructure of the race representation as well as the architectural structure and its gender-political effect in everyday function, the finished complex, and the work done to erect it are all related to each other for the purpose of dealing with issues of identity—of a city, a society, and of individuals. This work became a prism of times and perspectives that can now be imagined with the help of this publication. SONDRA PERRY (*1986, Perth Amboy, New York) is known for her computer-generated videos, installations, and performances. Her works examine questions of identity and family history, as well as of technology. EXHIBITIONS Museum of Contemporary Art Cleveland April 28—August 11, 2019 Kunsthal Aarhus October 4, 2019—January 5, 2020 SONDRA PERRY (*1986, Perth Amboy, New York) is known for her computer-generated videos, installations, and performances. Her works examine questions of identity and family history, as well as of technology.

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Sondra Perry, Autorenkollektiv

Sprache
Erscheinungsdatum
2021
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Titel
Sondra Perry
Untertitel
A Terrible Thing
Sprache
Englisch
Autor*innen
Autorenkollektiv
Erscheinungsdatum
2021
Einband
Paperback
Seitenzahl
136
ISBN10
3775746366
ISBN13
9783775746366
Reihe
Schlagwörter
Sachbücher
Beschreibung
What turns a random space into a place? What inscribes history into it, or lends it significance? These questions occupy the installation artist Sondra Perry in her current piece, A Terrible Thing, for the Museum of Contemporary Art in Cleveland. On Euclid Street in the heart of Cleveland, Perry carries out a kind of archaeological study of the street’s history, using video, pictures found online, and digital methods of representation. The infrastructure of the race representation as well as the architectural structure and its gender-political effect in everyday function, the finished complex, and the work done to erect it are all related to each other for the purpose of dealing with issues of identity—of a city, a society, and of individuals. This work became a prism of times and perspectives that can now be imagined with the help of this publication. SONDRA PERRY (*1986, Perth Amboy, New York) is known for her computer-generated videos, installations, and performances. Her works examine questions of identity and family history, as well as of technology. EXHIBITIONS Museum of Contemporary Art Cleveland April 28—August 11, 2019 Kunsthal Aarhus October 4, 2019—January 5, 2020 SONDRA PERRY (*1986, Perth Amboy, New York) is known for her computer-generated videos, installations, and performances. Her works examine questions of identity and family history, as well as of technology.