Mehr zum Buch
"My principal concern in this book is the way we talk about pictures...Renaissance writers and artists imagined perspective quite differently than we do... I maintain... that Renaissance authors and artists thought there were many compatible perspectives, so that their writing and painting evince a "pluralist" approach in strict contrast to the monolithic mathematical perspective we imagine today. Theirs was more a collection of rational methods than a "rationalisation of sight", more a way of drawing objects than of setting them in an abstract "pictorial space". Most important... is the gradual recession of perspective as a mute method, a practical subset of geometry, and the growth of perspective as a metaphor, a powerful concept for ordering our perception and accounting for our subjectivity." -- Preface.
Buchkauf
The Poetics of Perspective, James Elkins
- Sprache
- Erscheinungsdatum
- 1996
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- (Paperback)
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- Titel
- The Poetics of Perspective
- Sprache
- Englisch
- Autor*innen
- James Elkins
- Verlag
- Cornell University Press
- Erscheinungsdatum
- 1996
- Einband
- Paperback
- ISBN10
- 0801483794
- ISBN13
- 9780801483790
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Kunstgeschichte & -theorie, Kunstgeschichte
- Bewertung
- 4,1 von 5 Sternen
- Beschreibung
- "My principal concern in this book is the way we talk about pictures...Renaissance writers and artists imagined perspective quite differently than we do... I maintain... that Renaissance authors and artists thought there were many compatible perspectives, so that their writing and painting evince a "pluralist" approach in strict contrast to the monolithic mathematical perspective we imagine today. Theirs was more a collection of rational methods than a "rationalisation of sight", more a way of drawing objects than of setting them in an abstract "pictorial space". Most important... is the gradual recession of perspective as a mute method, a practical subset of geometry, and the growth of perspective as a metaphor, a powerful concept for ordering our perception and accounting for our subjectivity." -- Preface.