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Literary Practice

Volume III. Esthetics of Literary Subjects

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Literary Practice III concludes Dushan Bresky’s major critical trilogy. Following Volume I, outlining a comprehensive method for evaluating literary art, and Volume II, analyzing the elusive stimulative qualities of style, Volume III focuses on the esthetics of literary content. Its time-tested subjects include violent and psychological conflicts, erotic bonds, as well as humorous, supernatural, fantastic, utopian, and bizarre topics. In estimating their potential impact, Bresky draws not only on the French heritage (his academic specialty) but branches into all Western literatures, ranging from the Illiad and the medieval Legenda Aurea to the novels of Samuel Beckett and John Updike. In the «Biocybernetic Epilog» written just before his death in 1998, collaborator Miroslav Malik discusses the evolution of biometric techniques designed to monitor our responses to perception and their auxiliary role in esthetic literary criticism.

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Literary Practice, Dushan Bresky

Sprache
Erscheinungsdatum
2002
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Titel
Literary Practice
Untertitel
Volume III. Esthetics of Literary Subjects
Sprache
Englisch
Autor*innen
Dushan Bresky
Verlag
Lang
Erscheinungsdatum
2002
Einband
Hardcover
Seitenzahl
341
ISBN10
0820455199
ISBN13
9780820455198
Reihe
Beschreibung
Literary Practice III concludes Dushan Bresky’s major critical trilogy. Following Volume I, outlining a comprehensive method for evaluating literary art, and Volume II, analyzing the elusive stimulative qualities of style, Volume III focuses on the esthetics of literary content. Its time-tested subjects include violent and psychological conflicts, erotic bonds, as well as humorous, supernatural, fantastic, utopian, and bizarre topics. In estimating their potential impact, Bresky draws not only on the French heritage (his academic specialty) but branches into all Western literatures, ranging from the Illiad and the medieval Legenda Aurea to the novels of Samuel Beckett and John Updike. In the «Biocybernetic Epilog» written just before his death in 1998, collaborator Miroslav Malik discusses the evolution of biometric techniques designed to monitor our responses to perception and their auxiliary role in esthetic literary criticism.