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- 264 Seiten
- 10 Lesestunden
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For roughly a decade, from 1992 to 2002, Joachim Brohm undertook a photographic project of long-term urban observation. At the same location on the outskirts of a German city, he took hundreds of pictures of redevelopment, recording the place as it was transformed from a 1950s commercial/industrial district into a gentrified post-industrial services center and living area. In a meditative response to these changes, Brohm cartographically captured the premises, their buildings and materials, and chronologically documented the developments during this period. Brohm's pictorial idiom--characterized by a dissolved center, with layering and composition referencing the continuation of space beyond the frame's limits--is both documentary and deconstructive. His photographs simultaneously depict and dissolve the outside world, lending the transitory, hovering state of reality and meaning a powerful pictorial form.
Buchkauf
Joachim Brohm, Regina Bittner, Joachim Brohm, Oliver Kossack, Urs Stahel
- Sprache
- Erscheinungsdatum
- 2003
- product-detail.submit-box.info.binding
- (Hardcover)
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- Titel
- Joachim Brohm
- Untertitel
- Areal
- Sprache
- Englisch
- Autor*innen
- Regina Bittner, Joachim Brohm, Oliver Kossack, Urs Stahel
- Verlag
- Steidl
- Erscheinungsdatum
- 2003
- Einband
- Hardcover
- Seitenzahl
- 264
- ISBN10
- 3882438789
- ISBN13
- 9783882438789
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Fotografie, Ökologische Thematik, Alltagsgeschichte, Naturbeobachtung, Urbanismus, Urbanisierung
- Beschreibung
- For roughly a decade, from 1992 to 2002, Joachim Brohm undertook a photographic project of long-term urban observation. At the same location on the outskirts of a German city, he took hundreds of pictures of redevelopment, recording the place as it was transformed from a 1950s commercial/industrial district into a gentrified post-industrial services center and living area. In a meditative response to these changes, Brohm cartographically captured the premises, their buildings and materials, and chronologically documented the developments during this period. Brohm's pictorial idiom--characterized by a dissolved center, with layering and composition referencing the continuation of space beyond the frame's limits--is both documentary and deconstructive. His photographs simultaneously depict and dissolve the outside world, lending the transitory, hovering state of reality and meaning a powerful pictorial form.