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Since the principles of perspective were first demonstrated in Renaissance Italy, the interpretation of depth and space has held a central place in Western art. From the 15th century onwards, artists have endeavoured to present three-dimensional images that are as close as possible to what we actually see. When the Italian artist Alberti published his geometrical method for re-creating accurate perspectives, he transformed the art world, and led artists such as Leonardo da Vinci to produce ever more life-like illusions of space and distance. In the 20th century, artists such as Picasso often rejected classical principles in favour of distorted viewpoints.
Buchkauf
Eyewitness Guides - 98: Perspective, Alison Ambrose, Alison Cole
- Sprache
- Erscheinungsdatum
- 1992
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- Titel
- Eyewitness Guides - 98: Perspective
- Untertitel
- Discover the Theory and Techniques of Perspective, from the Renaissance to Pop Art
- Sprache
- Englisch
- Autor*innen
- Alison Ambrose, Alison Cole
- Verlag
- Dorling Kindersley
- Erscheinungsdatum
- 1992
- Einband
- Hardcover
- Seitenzahl
- 64
- ISBN10
- 0751361534
- ISBN13
- 9780751361537
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Bildende Kunst, Malerei & Bildhauerei, Kunst, Ausstellungskataloge, Kunstgeschichte & -theorie, Kunstgeschichte
- Beschreibung
- Since the principles of perspective were first demonstrated in Renaissance Italy, the interpretation of depth and space has held a central place in Western art. From the 15th century onwards, artists have endeavoured to present three-dimensional images that are as close as possible to what we actually see. When the Italian artist Alberti published his geometrical method for re-creating accurate perspectives, he transformed the art world, and led artists such as Leonardo da Vinci to produce ever more life-like illusions of space and distance. In the 20th century, artists such as Picasso often rejected classical principles in favour of distorted viewpoints.