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Painting in Spain, 1500-1700

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  • 290 Seiten
  • 11 Lesestunden

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El Greco, Ribera, Velazquez, Murillo -- these are but a few of the great sixteenth- and seventeenth-century artist of Spain's golden age of painting. In this authoritative and handsome book, an enlarged, extended, and revised version of his Golden Age of Painting in Spain, eminent Spanish art scholar Jonathan Brown surveys the development of painting in Spain during this fascinating period.Focusing on the interaction between art and the socioeconomic and political conditions that prevailed in Spain's golden age, this book offers information about religious beliefs, social attitudes, the activities of patrons and collectors, and how these were absorbed and interpreted by painters. The author sets the history of Spanish paintings within a European context and discusses not only Spanish artists but also such non-Spanish painters as Titian, Ruben, and Luca Giordano, who either worked in Spain or influenced other artists there. In this up-to-date and innovative analysis of two hundred years of Spanish painting, Brown describes a country that brilliantly transformed the artistie impulses it received from abroad to fit the needs of its own society.

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Painting in Spain, 1500-1700, Jonathan Brown

Sprache
Erscheinungsdatum
1998
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Titel
Painting in Spain, 1500-1700
Sprache
Englisch
Autor*innen
Jonathan Brown
Erscheinungsdatum
1998
Einband
Paperback
Seitenzahl
290
ISBN10
0300064748
ISBN13
9780300064742
Reihe
Beschreibung
El Greco, Ribera, Velazquez, Murillo -- these are but a few of the great sixteenth- and seventeenth-century artist of Spain's golden age of painting. In this authoritative and handsome book, an enlarged, extended, and revised version of his Golden Age of Painting in Spain, eminent Spanish art scholar Jonathan Brown surveys the development of painting in Spain during this fascinating period.Focusing on the interaction between art and the socioeconomic and political conditions that prevailed in Spain's golden age, this book offers information about religious beliefs, social attitudes, the activities of patrons and collectors, and how these were absorbed and interpreted by painters. The author sets the history of Spanish paintings within a European context and discusses not only Spanish artists but also such non-Spanish painters as Titian, Ruben, and Luca Giordano, who either worked in Spain or influenced other artists there. In this up-to-date and innovative analysis of two hundred years of Spanish painting, Brown describes a country that brilliantly transformed the artistie impulses it received from abroad to fit the needs of its own society.