Mehr zum Buch
You've likely heard the advice "show, don't tell" repeatedly, yet many fiction writers still struggle with it. This challenge stems from three main reasons. First, "showing" isn't an absolute rule; "telling" can be effective in certain contexts. Second, the distinction between showing and telling often lacks clarity. Third, while the phrase is common, practical guidance on when to show or tell is often missing. This book addresses these issues. The first chapter defines showing and telling, highlighting why showing is generally preferred. The second chapter offers eight practical methods to identify instances of telling that should be converted to showing, along with guidance on making those changes. The third chapter discusses how telling can serve as a valuable tool in early drafts. The fourth chapter explores seven scenarios where telling may be more appropriate than showing. The fifth chapter presents practical editing tips to apply these insights to your current writing projects. Additionally, the book includes three appendices on using The Emotion Thesaurus, analyzing examples of showing versus telling, and discussing As-You-Know-Bob Syndrome. Each entry in the Busy Writer's Guides series aims to balance theory with practical examples and exercises, helping you apply these concepts effectively while minimizing unnecessary content.
Buchkauf
Mastering Showing and Telling in Your Fiction, Marcy Kennedy
- Sprache
- Erscheinungsdatum
- 2014
- Einband
- (Paperback)
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- Titel
- Mastering Showing and Telling in Your Fiction
- Sprache
- Englisch
- Autor*innen
- Marcy Kennedy
- Erscheinungsdatum
- 2014
- Einband
- Paperback
- Seitenzahl
- 88
- ISBN10
- 0992037166
- ISBN13
- 9780992037161
- Reihe
- Schlagwörter
- Sachbücher, Handbücher und Anleitungen, Handwerk, Schreiben
- Beschreibung
- You've likely heard the advice "show, don't tell" repeatedly, yet many fiction writers still struggle with it. This challenge stems from three main reasons. First, "showing" isn't an absolute rule; "telling" can be effective in certain contexts. Second, the distinction between showing and telling often lacks clarity. Third, while the phrase is common, practical guidance on when to show or tell is often missing. This book addresses these issues. The first chapter defines showing and telling, highlighting why showing is generally preferred. The second chapter offers eight practical methods to identify instances of telling that should be converted to showing, along with guidance on making those changes. The third chapter discusses how telling can serve as a valuable tool in early drafts. The fourth chapter explores seven scenarios where telling may be more appropriate than showing. The fifth chapter presents practical editing tips to apply these insights to your current writing projects. Additionally, the book includes three appendices on using The Emotion Thesaurus, analyzing examples of showing versus telling, and discussing As-You-Know-Bob Syndrome. Each entry in the Busy Writer's Guides series aims to balance theory with practical examples and exercises, helping you apply these concepts effectively while minimizing unnecessary content.