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Much of twentieth-century drama defies traditional classifications of tragedy, featuring heroes who are not straightforwardly heroic. The subject matter oscillates between grim realism and pure fantasy. Professor Styan elucidates the nature of this dark, paradoxical comedy, reminding us that such complexities are not purely modern—many great plays of the past have similarly resisted classification and elicited varied responses from audiences. This genre has found its clearest expression in the last sixty years, with techniques evolving from Ibsen and Chekhov to Pirandello, Brecht, and contemporary playwrights like Ionesco, Beckett, Tennessee Williams, and Pinter. Styan illustrates how playwrights create complex tensions between the action on stage, the actors, and the audience, allowing for exploration of new areas of human feeling and response. In this updated edition, he revises earlier judgments and includes detailed analyses of scenes from Brecht's *Mother Courage* and Beckett's *Waiting for Godot*. Those with an intelligent interest in theatre will find this book both stimulating and insightful, as it covers a wide range of topics while maintaining a clear, unified theme.
Buchkauf
The Dark Comedy, John L. Styan
- Sprache
- Erscheinungsdatum
- 1968
- Einband
- (Paperback)
Keiner hat bisher bewertet.
- Titel
- The Dark Comedy
- Untertitel
- The Development of Modern Comic Tragedy
- Sprache
- Englisch
- Autor*innen
- John L. Styan
- Erscheinungsdatum
- 1968
- Einband
- Paperback
- Seitenzahl
- 320
- ISBN10
- 0521095298
- ISBN13
- 9780521095297
- Reihe
- Schlagwörter
- Literarische Kritik
- Beschreibung
- Much of twentieth-century drama defies traditional classifications of tragedy, featuring heroes who are not straightforwardly heroic. The subject matter oscillates between grim realism and pure fantasy. Professor Styan elucidates the nature of this dark, paradoxical comedy, reminding us that such complexities are not purely modern—many great plays of the past have similarly resisted classification and elicited varied responses from audiences. This genre has found its clearest expression in the last sixty years, with techniques evolving from Ibsen and Chekhov to Pirandello, Brecht, and contemporary playwrights like Ionesco, Beckett, Tennessee Williams, and Pinter. Styan illustrates how playwrights create complex tensions between the action on stage, the actors, and the audience, allowing for exploration of new areas of human feeling and response. In this updated edition, he revises earlier judgments and includes detailed analyses of scenes from Brecht's *Mother Courage* and Beckett's *Waiting for Godot*. Those with an intelligent interest in theatre will find this book both stimulating and insightful, as it covers a wide range of topics while maintaining a clear, unified theme.