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Perspectives on Cultural and Creative Industries

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  • 98 Seiten
  • 4 Lesestunden

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Over the years, many books and papers have been produced on cultural- and creative industries with regard to definitions, trends, characteristics, economic value, societal value, crossovers, innovation power, and more. Policy making proved to be experimental in a fragmented and diverse sector. At a European scale, around 7,5% of the working population is employed in the cultural and creative sectors, equaling about 12 million people. In this book different perspectives on cultural and creative industries are taken. A kaleidoscope of insights is presented, varying from international good practices in policy making to regional examples in fashion, new technologies and behavior, and the health sector. Several alternative points of view are discussed as well, including the relation between creative industries and education, behavior, and effective altruism. The book concludes with future perspectives on cultural and creative industries. This is even more relevant at the time of writing with the corona crisis. Cultural and creative industries can play an important role in the transition to a circular economy, the new mainstream after the corona crisis. Despite the uncertainties and changes, one thing is for sure to remain: our economy and society are in need of cultural and creative industries!

Buchkauf

Perspectives on Cultural and Creative Industries, F.D.J. Grotenhuis

Sprache
Erscheinungsdatum
2020
Einband
(Paperback)
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Titel
Perspectives on Cultural and Creative Industries
Sprache
Englisch
Verlag
Lulu.com
Erscheinungsdatum
2020
Einband
Paperback
Seitenzahl
98
ISBN10
1716791979
ISBN13
9781716791970
Reihe
Schlagwörter
Gesellschaft, Innovation
Beschreibung
Over the years, many books and papers have been produced on cultural- and creative industries with regard to definitions, trends, characteristics, economic value, societal value, crossovers, innovation power, and more. Policy making proved to be experimental in a fragmented and diverse sector. At a European scale, around 7,5% of the working population is employed in the cultural and creative sectors, equaling about 12 million people. In this book different perspectives on cultural and creative industries are taken. A kaleidoscope of insights is presented, varying from international good practices in policy making to regional examples in fashion, new technologies and behavior, and the health sector. Several alternative points of view are discussed as well, including the relation between creative industries and education, behavior, and effective altruism. The book concludes with future perspectives on cultural and creative industries. This is even more relevant at the time of writing with the corona crisis. Cultural and creative industries can play an important role in the transition to a circular economy, the new mainstream after the corona crisis. Despite the uncertainties and changes, one thing is for sure to remain: our economy and society are in need of cultural and creative industries!