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Shivers Down Your Spine

Cinema, Museums, and the Immersive View

Autor*innen

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"Through a series of detailed historical case studies, Alison Griffiths explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising: antecedents of modern media forms, suggesting the spectator's deepseated desire to become. Immersed in a virtual world. Shivers Down Your Spine demonstrates how immersive and interactive museum display techniques such as large video displays, reconstructed environments, and touch-screen computer interactives have redefined the museum space, fueling the opposition between public and private, science and spectacle, civic and corporate interests, voice and text, and life and death. In her remarkable study of sensual spaces, Griffiths explains why, for centuries, we keep coming back for more."--Jacket.

Buchkauf

Shivers Down Your Spine, Alison Griffiths

Sprache
Erscheinungsdatum
2013
Einband
(Paperback),
Buchzustand
Gebraucht - Gut
Preis
27,99 €inkl. MwSt.

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Titel
Shivers Down Your Spine
Untertitel
Cinema, Museums, and the Immersive View
Sprache
Englisch
Autor*innen
Alison Griffiths
Erscheinungsdatum
2013
Einband
Paperback
Seitenzahl
320
ISBN10
0231129890
ISBN13
9780231129893
Reihe
Beschreibung
"Through a series of detailed historical case studies, Alison Griffiths explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising: antecedents of modern media forms, suggesting the spectator's deepseated desire to become. Immersed in a virtual world. Shivers Down Your Spine demonstrates how immersive and interactive museum display techniques such as large video displays, reconstructed environments, and touch-screen computer interactives have redefined the museum space, fueling the opposition between public and private, science and spectacle, civic and corporate interests, voice and text, and life and death. In her remarkable study of sensual spaces, Griffiths explains why, for centuries, we keep coming back for more."--Jacket.