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Sensual Math

Poems

Autor*innen

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  • 128 Seiten
  • 5 Lesestunden

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The words exhilarating, powerful, generous, daring, and enchanting have been used to describe Alice Fulton's poetry. In Sensual Math , her broad-ranging intelligence continues to surprise and electrify. Drenched with the beauties of perception and language, with syntactical stretch and give, Sensual Math embraces areas often excluded from poetry. Drawing upon science, myth, popular culture, feminist theory, and autobiography, Alice Fulton creates an entrancing and important postmodern poetics. In the sequence called "My Last TV Campaign," an advertising executive tries to apply the successful imitative strategies of nature to a context of consumerism. By reimagining the myth of Daphne and Apollo, another sequence dismantles attitudes surrounding rape and the ancient association of woman with nature and man with culture. Daphne becomes a composite of Amelia Earhart, Annie Oakley, Emily Dickinson, and Marianne Moore. A major work by a poet who has been called breathtakingly fluent, blessedly unpredictable, "Sensual Math" figures the world as a blend of Zen and Elvis, calculus and honey. The final triumph is that poems so profound can be so profoundly engaging.

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Sensual Math, Alice Fulton

Sprache
Erscheinungsdatum
1988
Einband
(Paperback)
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Titel
Sensual Math
Untertitel
Poems
Sprache
Englisch
Autor*innen
Alice Fulton
Erscheinungsdatum
1988
Einband
Paperback
Seitenzahl
128
ISBN10
0393314456
ISBN13
9780393314458
Reihe
Schlagwörter
Lyrik
Beschreibung
The words exhilarating, powerful, generous, daring, and enchanting have been used to describe Alice Fulton's poetry. In Sensual Math , her broad-ranging intelligence continues to surprise and electrify. Drenched with the beauties of perception and language, with syntactical stretch and give, Sensual Math embraces areas often excluded from poetry. Drawing upon science, myth, popular culture, feminist theory, and autobiography, Alice Fulton creates an entrancing and important postmodern poetics. In the sequence called "My Last TV Campaign," an advertising executive tries to apply the successful imitative strategies of nature to a context of consumerism. By reimagining the myth of Daphne and Apollo, another sequence dismantles attitudes surrounding rape and the ancient association of woman with nature and man with culture. Daphne becomes a composite of Amelia Earhart, Annie Oakley, Emily Dickinson, and Marianne Moore. A major work by a poet who has been called breathtakingly fluent, blessedly unpredictable, "Sensual Math" figures the world as a blend of Zen and Elvis, calculus and honey. The final triumph is that poems so profound can be so profoundly engaging.