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English Literary Criticism

The Renascence

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  • 382 Seiten
  • 14 Lesestunden

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Originally published in 1947, this volume reviews the critical achievement at the Renaissance. It discusses the ideas of literature then current in England, as revealed in contemporary theorizing and judgments. The period has sometimes been dismissed as lacking great critics, and the critical works themselves have been described as elementary and remote, but, as this work shows, viewed in the light of what came before and after, those texts will be found to be of considerable interest and possess intrinsic and historical value. This book charts the course of the movement and the main findings and their significance in critical history. There is an emphasis to show the part payed by the medieval tradition, with its inheritance of post-classical and patristic doctrine; the lead given by 15th Century Italian and other Humanists and the no less important attempts of independent native writers to work out new artistic and dramatic theory of their own.

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English Literary Criticism, J.W.H. Atkins

Sprache
Erscheinungsdatum
2021
Einband
(Andere)
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Titel
English Literary Criticism
Untertitel
The Renascence
Sprache
Englisch
Autor*innen
J.W.H. Atkins
Verlag
Routledge
Erscheinungsdatum
2021
Einband
Andere
Seitenzahl
382
ISBN10
1000378802
ISBN13
9781000378801
Reihe
Schlagwörter
Beschreibung
Originally published in 1947, this volume reviews the critical achievement at the Renaissance. It discusses the ideas of literature then current in England, as revealed in contemporary theorizing and judgments. The period has sometimes been dismissed as lacking great critics, and the critical works themselves have been described as elementary and remote, but, as this work shows, viewed in the light of what came before and after, those texts will be found to be of considerable interest and possess intrinsic and historical value. This book charts the course of the movement and the main findings and their significance in critical history. There is an emphasis to show the part payed by the medieval tradition, with its inheritance of post-classical and patristic doctrine; the lead given by 15th Century Italian and other Humanists and the no less important attempts of independent native writers to work out new artistic and dramatic theory of their own.