The Fervent Years
The Group Theatre and the 30's
Autor*innen
Parameter
- 329 Seiten
- 12 Lesestunden
Mehr zum Buch
The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.
Buchkauf
The Fervent Years, Stella Adler, Harold Clurman
- Sprache
- Erscheinungsdatum
- 1983
- Einband
- (Paperback),
- Buchzustand
- Beschädigt
- Preis
- 10,99 €inkl. MwSt.
Keiner hat bisher bewertet.
- Titel
- The Fervent Years
- Untertitel
- The Group Theatre and the 30's
- Sprache
- Englisch
- Autor*innen
- Stella Adler, Harold Clurman
- Verlag
- Da Capo Press
- Erscheinungsdatum
- 1983
- Einband
- Paperback
- Seitenzahl
- 329
- ISBN10
- 0306801868
- ISBN13
- 9780306801860
- Reihe
- Kategorien
- Schlagwörter
- Historisches Thema, Musikalische Thematik, Politik, USA, Theater, 20. Jahrhundert, Darstellende Kunst, Musicals
- Beschreibung
- The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.




