Maria Lind Bücher

Seven years in twenty-first century contemporary art, as seen in a series of columns by curator and writer Maria Lind. Seven Years offers a subjective chronicle of contemporary art during the second decade of the twenty-first century, seen through a series of columns by curator, writer, and educator Maria Lind. Writing for the print edition of ArtReview , Lind considers individual artworks and exhibitions and contributes to conversations and debates developing in the art world and beyond. She explores work by Haegue Yang, Hassan Khan, Uglycute, Tania Perez-Cordova, and Walid Raad, among others, and discusses such exhibitions as dOCUMENTA (13), the Sharjah Biennial 12, the 3rd Ural Industrial Biennial, and several editions of the Venice Biennale. Lind's writings are accompanied by other artists Goldin+Senneby discuss Lind's materialist approach through the use of the word “hand” in the introduction to the volume; Sofía Hernández Chong Cuy reflects on how writing can affect curatorial work, and vice versa; artist Ahmet Öğüt conducts an imagined interview with Lind; and Philippe Parreno weaves a summary of the years between 2010 and 2018, highlighting the notion of potentiality. A postscript by Lind's fellow curator Joanna Warsza compiles a glossary of the book's key ideas and terms. Contributors Goldin+Senneby, Sofía Hernández Chong Cuy, Ahmet Öğüt, Philippe Parreno, Joanna Warsza

The curatorial includes the post production artistic practices that bring together within a particular time and space related framework disparate images, objects, as well as other material and immaterial phenomena. In its performative aspects that seek to challenge the status quo, the curatorial also includes elements of choreography, orchestration and administrative logistics. Edited by prominent director and writer Maria Lind, this volume brings together a diverse group of curators, artists, art historians, educators and thinkers, all of whom reflect on the curatorial motives, tendencies and tactics, pitfalls and exegeses in translating and thus performing cultural heritage. Contributors include Doug Ashford, Beatrice von Bismarck and Eungie Joo.

The book presents a collection of writings and conversations by Doug Ashford, an influential artist and educator known for his role in the New York collective Group Material. It explores his innovative contributions to installation art and curatorial practices, while also addressing themes of participation and historical representation. Additionally, it highlights Ashford's teaching career at The Cooper Union and reflects on the evolution of his artistic thinking over 25 years, offering insights into his multifaceted work across various disciplines.

Writings by international critic and curator Maria Lind, directorof the graduate program at the Center for Curatorial Studies, BardCollege, reflect her prolific career, delving into several of hermost ambitious curatorial projects, experimental programs andinnovative collaborations. She has worked with artists such asChristine Borland, Liam Gillick, Philippe Parreno, Annika Eriksson,Deimantas Narkevicius, Oda Projesi, Bojan Sarcevic and Marion vonOsten. This collection expands on many of her thoughts oninstitutional critique and curatorial models. Since the early 1990s,Lind has been working with notable institutions throughoutEurope and the United States, as director of Iaspis in Stockholm andKunstverein Munchen, and curator at Moderna Museet inStockholm and co-curator of Manifesta 2.

This publication accompanies a retrospective exhibition of Philippe Parreno's work, which began at Kunsthalle Zürich and has traveled to the Centre Pompidou in Paris and the Irish Museum of Modern Art in Dublin. It emphasizes the exhibition at the Center for Curatorial Studies at Bard College, curated by Maria Lind. The exhibition features a selection of Parreno's films and collaborative projects, including "June 8, 1968," which reinterprets Robert F. Kennedy's funeral train procession; "Zidane: A XXIst Century Portrait," a collaboration with Douglas Gordon; "Anywhere Out of the World"; and "No Ghost, Just a Shell," a project with Pierre Huyghe involving the rights to a Japanese manga character named Annlee. An imaginary trial will reconsider Annlee's rights, with testimonies from Parreno, Huyghe, Lind, and others. The exhibition is complemented by an extensive program of lectures, seminars, and moderated projects. Contributing texts by Lind, Tom Eccles, Simon Critchley, Jörn Schaffaff, and CCS graduate students are included in the catalogue, providing further insights into the themes and works presented.

Dieses Buch beinhaltet alle sechs Ausgaben der Drucksache des Kunstvereins München, herausgegeben zwischen 2005–2004, inklusive der Beilagen für die Projekte Atelier Europa, Colloquium on Collaborative Practice und Teasing Minds.