Kate Zambreno Reihenfolge der Bücher

Etwas nicht zu mögen, ist einfach. Etwas zu mögen hingegen, ist kompliziert. Dann kommen wir nicht darum herum, uns auch mit jenen Seiten der Medaille auseinanderzusetzen, die uns weniger gefallen. Wir müssen mit dem Gemochten in Beziehung treten, mit ihm verschmelzen, es verschieben, es umarmen, es verändern, es lieben. Fan-Fiction wagt es, sich das Gemochte anzueignen und sich gleichzeitig vor ihm zu verneigen. Bislang gab es Fan-Fiction vor allem in eigens dafür eingerichteten Ecken des Internets. Um diesem so vielfältigen wie verbreiteten Genre endlich auch die materielle Würdigung zukommen zu lassen, die es verdient, gibt es jetzt DANKE – Das Fan-Fiction-Magazin, eine halbjährlich erscheinende Literaturzeitschrift.

"Drift" explores the challenges of writing and the mystery of creativity. The narrator, struggling with a long-overdue novel, navigates her neighborhood with her restless dog while connecting with fellow writers. Pregnancy brings urgency to her thoughts, leading her to find a literary form that captures the essence of feeling and existence.

A manifesto reclaiming the wives and mistresses of literary modernism that inspired a generation of writers and scholars, reissued with a new introduction after more than a decade.

Tone is a collaborative study of literary tone, exploring its implications for community, politics, and ecology.

“Kate Zambreno has invented a new form. It is a kind of absolute present, real life captured in closeup.“ —Annie Ernaux, winner of the Nobel Prize in Literature From “one of our most formally ambitious writers” (Esquire), a moving account of caretaking in a time of uncertainty and loss In The Light Room, Zambreno offers her most profound and affecting work yet: a candid chronicle of life as a mother of two young daughters in a moment of profound uncertainty about public health, climate change, and the future we can expect for our children. Moving through the seasons, returning often to parks and green spaces, Zambreno captures the isolation and exhaustion of being home with a baby and a small child, but also small and transcendent moments of beauty and joy. Inspired by writers and artists ranging from Natalia Ginzburg to Joseph Cornell, Yūko Tsushima to Bernadette Mayer, Etel Adnan to David Wojnarowicz, The Light Room represents an impassioned appreciation of community and the commons, and an ecstatic engagement with the living world. How will our memories, and our children’s, be affected by this time of profound disconnection? What does it mean to bring new life, and new work, into this moment of precarity and crisis? In The Light Room, Kate Zambreno offers a vision of how to live in ways that move away from disenchantment, and toward light and possibility.

Kate Zambreno hat über dreizehn Jahre lang an Book of Mutter gearbeitet. Entstanden ist ein Buch - zwischen Autofiktion, Memoir und Collage - über das Potenzial des Schreibens, der Fotografie und des Erinnerns. Es ist der zärtliche und zugleich unsentimentale Versuch einer Tochter, die Familienapokryphen nach dem Tod ihrer Mutter zu inventarisieren, sich murmelnd ( to mutter bedeutet auf Deutsch murmeln, Worte suchen) der Mutter zu nähern, die Trauer zugleich zu erinnern und zu vergessen. Kate Zambreno spinnt ein assoziatives Netz rund um die Leerstelle, an der die Mutter einst war, schreitet labyrinthische Erinnerungsräume ab, die vom »Muttergespenst« noch immer heimgesucht werden. Mit den Fragmenten der Mutter vermischen sich solche des Vaters, der Geschwister, von Louise Bourgeois, Roland Barthes, Henry Darger, Virginia Woolf, Franz Kafka und vielen anderen. »Wie kann ich mich erinnern daran? Es ist so lange her. Alles, was verbrieft ist, sind diese Wörter auf dem Blatt, die Art und Weise, wie ich mir diese Geschichte selbst erzählt und in den Jahren danach umgedeutet und umgeschrieben habe.«

The most comprehensive survey of the celebrated Dutch artist Michael Raedecker's work spanning his 30-year career Michael Raedecker, the acclaimed Dutch artist, records the memories held within spaces and objects in his enigmatic and dream-like paintings. Suburban homes, tree houses, and empty rooms and vacant chairs, all float in haunting isolation. Muted hues are penetrated with thread and needle where the artist hand-sews forms into textural materiality. Since the beginning of his career as a painter, Raedecker has incorporated embroidery into his works as a visual counterpoint to his washed-out paint application. This survey of his work, designed by the acclaimed Dutch graphic designer, Irma Boom, is the most comprehensive published to date, featuring essays by a unique and diverse group of critics, curators, artists, and academics.

To Write as if Already Dead circles around Kate Zambreno's failed attempts to write a study of Herve Guibert's To the Friend Who Did Not Save My Life. Zambreno, who has been pushing the boundaries of literary form for a decade, investigates Guibert's methods by adopting them, offering a keen sense of the energy and confessional force of his work.

Receiving recognition as a highly anticipated release, this book has garnered attention from notable publications like Entertainment Weekly and Refinery29. It promises to deliver a compelling narrative that captivates readers, offering unique themes and engaging characters that resonate with contemporary issues. The buzz surrounding its release suggests a significant impact within the literary community, making it a must-read for those seeking fresh and thought-provoking content.