Tadhg Coakley schafft fesselnde Erzählungen, die sich mit den harten Realitäten von Kriminalität und der leidenschaftlichen Welt des Sports befassen. Seine Arbeit zeichnet sich durch eine scharfe Auseinandersetzung mit menschlicher Entschlossenheit und den komplexen moralischen Landschaften aus, die Charaktere durchqueren. Mit einer unverwechselbaren Stimme stürzt Coakley die Leser in intensive Konflikte und untersucht, welche Längen Einzelpersonen gehen werden, um ihre Ziele zu erreichen. Sein Schreiben bietet sowohl spannende Handlungsstränge als auch aufschlussreiche Reflexionen über Ehrgeiz und Konsequenzen.
As Detective Tim Collins unravels Cork City's darkest secrets , he faces a series of ignored crimes. Drawn into a perilous world where the line between justice and revenge blurs, trust is scarce. Brace for a tale of gripping suspense and unforeseen twists as Collins confronts his most harrowing case yet.
A young woman lies brutally murdered in her own home; Detective Tim Collins and his partner Deirdre Donnelly must stop a sinister plot to attack more women. As they race against time, they face one of Ireland's most dangerous criminals. In a gripping showdown, Collins must decide how far he will go for justice.
The Game is a multifaceted reflection on sport. It is part memoir, outlining Tadhg Coakley's time as a player and fan, and how sport has shaped his life. But it also tackles sport on a universal scale - the good and the bad - and its immeasurable influence on our world. For fans, sport can be all-consuming. Indeed, we are consuming sport in ever greater gulpfuls, often blindly. It has a dark side; it is rife with corruption, sexism, homophobia, nationalism and a raft of toxic masculine behaviour, and Coakley interrogates his own attitudes on each of these fronts. On the other hand, sport builds all manner of valuable connections and communities, and in sport - as in art - people can forge their own identities with grace, imagination and the possibility of what may be. This duality is one of the most fascinating aspects of sport. Written with warmth, openness and keen insight, The Game is an entertaining and thought-provoking meditation on the uniquely intense highs and lows of loving sport in today's world.
Detective Garda Collins is at war with the leading local criminal, Dominic Molloy. He has made up his mind to bring Molloy down, but just how far is he willing to go to make that happen?
'TheFirst Sunday in September really is quite an achievement. The stories arevibrant and authentic, brimming with intensity and desire. I enjoyed itimmensely.' - Donal Ryan 'Inventive andcompelling, this lifts off the page. A visceral sports novel, and yet sotender.'- Danny Denton 'Imagine RaymondCarver meets Donal Ryan and you have Tadhg Coakley's novel. His writing is tautand vivid, his voice compelling and compassionate.'- Mary Morrissy 'The First Sunday inSeptember takes us into the hearts and minds of a medley of characters whosometimes win but often lose, and whose experiences of life ring true.'-Madeleine D'Arcy It's All-Ireland Hurling Final Day. A hungover Clareman with gambling debts travels up to Dublin for the match, secretly hoping his county will lose. An Englishwoman attends the final with her partner, wondering when to tell him that she's pregnant. A long-retired player watches the match from the stands, his gaze repeatedly falling on the Cork captain, whom he and his wife gave up for adoption years earlier. Clare's star forward struggles under the weight of expectation. Cork's talisman waits for the sliothar to fall from the sky, aware that his destiny is already set. Technically daring and with an unforgettable cast of characters, The First Sunday in September announces an exciting new voice in Irish fiction. A mix of Elizabeth Strout's Olive Kitteridge and Chad Harbach's The Art of Fielding