Rosemary Mahoney Reihenfolge der Bücher

Rosemary Mahoney was determined to take a solo trip down the Egyptian Nile in a small boat, even though civil unrest and vexing local traditions conspired to create obstacles every step of the way. Starting off in the south, she gained the unlikely sympathy and respect of a Muslim sailor, who provided her with both a seven-foot skiff and a window into the culturally and materially impoverished lives of rural Egyptians. Egyptian women don't row on the Nile, and tourists aren't allowed to for safety's sake. Mahoney endures extreme heat during the day, and a terror of crocodiles while alone in her boat at night. Whether she's confronting deeply held beliefs about non-Muslim women, finding connections to past chroniclers of the Nile, or coming to the dramaticm realization that fear can engender unwarranted violence, Rosemary Mahoney's informed curiosity about the world, her glorious prose, and her wit never fail to captivate.

In 1978, Rosemary Mahoney, an aspiring young writer of 17, wrote a letter to one of her personal idols, inquiring whether this great lady of American letters might need some domestic help during the summer. When Lillian Hellman responded affirmatively, Mahoney was ecstatic and wasted no time imagining that the summer in Hellman's employ might cement a friendship with the iconic writer, or that the proximity to greatness might spur her own fledgling literary efforts. In reality, Mahoney was lonesome and anxious, hiding behind a facade of self-confidence at a private New England boarding school, harboring the secrets of her complex Irish family. Mahoney saw in Hellman an escape and a salvation from the rigors of growing up. But once she secured the job, her hopes were swiftly shattered as the summer unfolded into an exquisite and grueling exercise in humiliation at the hands of the famously acerbic Hellman and her retinue of celebrated friends. Contrasting the vanity of a 17-year-old with that of a 73-year-old, this book is ultimately about the limitations of age, the complexities of literary ambition, and our need for heroes.