Gerald Finzi Bücher

(Boosey & Hawkes Scores/Books). Christmas Scene for soprano and baritone soloists, chorus and orchestra (1954/6). The text conflates Robert Bridges's poem Noel: Christmas Eve, 1913 and Luke 2: 8-14. Finzi suggested that the Nativity 'becomes a vision seen by a wanderer on a dark and frosty Christmas Eve, in our own familiar landscape'. In terra pax is a masterpiece in miniature, Finzi's pacifism at its heart, and his belief that men and women of goodwill should live harmoniously. Weaving through the music are three ideas: the pealing of the bells with their joyous message, a phrase from the carol The First Nowell, and the alleluia refrain from the hymn 'Lasst uns erfreuen'. Duration: 14'. Vocal score on sale, performance materials on hire.

(Boosey & Hawkes Scores/Books). Ceremonial ode for tenor solo, mixed chorus and orchestra. Words by Edmund Blunden.

Gerald Finzi's works, composed in the late 1920s, reflect his affinity for 17th-century poetry and his tendency to develop pieces over several years. Central to all three compositions is the theme of life's brevity, a poignant subject that resonated with Finzi throughout his life. This new study score offers insight into his artistic exploration of mortality and the passage of time.

The composition features a unique blend of poetry and biblical text, merging Robert Bridges' "Noel: Christmas Eve 1913" with Luke 2: 8-14. Finzi presents the birth of Christ as a vision experienced by a wanderer on a cold Christmas Eve, reflecting his pacifist beliefs and the hope for harmonious coexistence among good-willed individuals. The music incorporates three central themes: the joyful sound of bells, a phrase from "The First Nowell," and the Hallelujah refrain from "Lasst uns erfreuen," creating a miniature masterpiece that resonates with profound messages.

The score of this 8-minute piece, composed in 1928, showcases a highly passionate character and a wealth of melodic ideas. Finzi's distinctive compositional style is presented in a heartfelt and accessible manner, making it a notable work in his repertoire.

The book features a collection of five songs by Finzi, arranged for voice and chamber orchestra to celebrate the composer's centenary. Notably included is "When I set out for Lyonnesse," previously unpublished in orchestral form. The other four songs, selected from various Finzi song cycles originally for voice and piano, have been orchestrated by notable composers such as Colin Matthews and Judith Weir for this special anniversary edition.

The book features the full score of a 19-minute ceremonial ode composed by Finzi, showcasing a tenor solo, mixed chorus, and orchestra. Inspired by the works of Parry and Elgar, the composition is characterized by its ceremonial atmosphere, highlighted through fanfares and rich choral harmonies. The text, penned by Edmund Blunden, complements the music's grandeur, making it a significant addition to choral repertoire.

This new edition features the full score of an 8-minute composition created between 1933 and 1936. It provides musicians and scholars with an updated version of this significant work, highlighting its historical context and musical intricacies.