Exploring the evolution of cinematic practices, this book delves into interactive cinema as a participatory experience, challenging traditional passive viewing. Marina Hassapopoulou examines a variety of historical and contemporary projects, from early films to virtual reality, that engage viewers in the production process. By expanding the discourse beyond Eurocentric perspectives, it highlights the ethical implications of interactive media in relation to community, citizenship, and democracy, offering a fresh theoretical framework for understanding modern media's transformative potential.
