Liz Evans Reihenfolge der Bücher (Chronologisch)

Adopted at birth, Hanna Conti attempts to trace her family. She turns up a mother who, 20 years earlier, was convicted of murder. Convinced that her mother is innocent, Hannah hires PI Grace Smith to prove it. Grace uncovers the story of the very messy murder of Janet Hepburn, a teacher at St. Martin’s Comprehensive, but there are a lot of people who’d rather she stopped digging. On Grace’s side (or possibly not) is an ex-cop with a shady past and Betterman177, a mysterious emailer who sends tantalizing clues about what was happening at St. Martin’s two decades ago. To add to these complications, Grace has been conned into bird-sitting a psychotic parrot, and Terry Rosco, the most chauvinistic cop in Seatoun, is trying to move into Grace’s spare room. And, oh yes—someone keeps trying to kill her.

Die Privatdetektivin Grace Smith erhält den Auftrag, den Mörder von Marilyn Monroe zu finden, doch es stellt sich heraus, dass es sich nicht um die Schauspielerin, sondern um einen Esel handelt. Bei ihren Ermittlungen entdeckt sie die Leiche einer jungen Prostituierten und gerät in echte Gefahr. Ein cleverer und charmant geschriebener Roman.

Marilyn Monroe has been murdered. And irrepressible ex-cop PI Grace Smith is hired to hunt down the killer. But there are no all-expenses-paid trips to California for this case: Marilyn Monroe was a donkey, and Grace is too broke to turn down the owner's bizarre request for an investigation. As the case progresses, Grace finds herself increasingly drawn into the mystery surrounding the murder of a young prostitute, whose death occurred on the same night as Marilyn's. But pitting her wits against a deranged criminal mind while trying to keep one step ahead of the police proves a challenge. And as an extraordinary tale of greed and betrayal begins to unfold, Grace soon realizes her own life is in grave danger.

This collection of interviews with notable women performers from the rock world focuses on both new performers with a more radical approach and the more established, but still progressive, artists working today. Rock journalist Liz Evans talks to them about their experience of sexism in the music industry, the riot girl phenomenon, whether they see the recent proliferation of women's bands as a trend that's here to stay, their perception of rock music as a barometer of popular culture, and so on.