Michelle Rodriguez Bücher

The Opera Ghost is a villain. A monster and murderer, Erik has spent years tormenting those at the Paris opera house, playing a god when he is determined never to be a victim again. But a god is about to be thrown from his pedestal at the hands of one girl. One encounter in a cellar, and Erik knows the Opera Ghost is about to be demolished with or without his consent. But...The Opera Ghost inspires Christine's desire.The Angel of Music is a villain in a hero's guise. Erik must play the role to win Christine's heart. It is a fa�ade full of innocence and never touch, inevitably disappointing in its lies, and so Erik plays both Angel and Ghost to have the chance to touch her life because...The Angel inspires Christine's love.Erik is the hero beneath the villain's mask. As he seeks to redeem himself and prove he is a man worth loving, he must battle to tear down every role he has played and be no one but himself. Not a ghost, not an angel, not a god. Only a hero with a vulnerable heart.Erik inspires Christine's soul, but can the villain ever truly become the hero, or is Erik destined to forever walk in the dark alone?

Dannie and her big sister Dahlia are the best of friends sharing walks, talks and dreams.One day, Dahlia doesn't come home. Where has she gone?As Dannie struggles to understand where her big sister is, she learns the power of Dahlia's love to help her through.

Après Le Métropolitain d'Hector Guimard, cet ouvrage rassemble toutes les connaissances disponibles sur le célèbre créateur des entrées du métro parisien. L'approche encyclopédique éclaire les différents aspects historiques, techniques et culturels d'un art formidablement inventif. Retraçant toute l'histoire de la collaboration de l'artiste avec la Compagnie du Métropolitain de Paris, ancêtre de l'actuelle RATP, les auteurs proposent également un inventaire photographique impressionnant de l'ensemble des entourages, édicules et pavillons qui égayaient les rues de Paris en 1900. Au fil des images, des croquis et des dessins, surgissent toute l'audace et l'ingéniosité du concept mis au point par l'architecte. Et si l'on regardait autrement ces bouches de métro aux formes végétales et animales, ces bouches "mangeuses d'hommes" qui plurent tant aux surréalistes ? Ces totems qui enchantent aujourd'hui encore notre quotidien ont préparé avant l'heure l'intrusion de la nature clans la ville.