Mark Burgess ist ein Autor, dessen Schriften ein breites Spektrum an Interessen abdecken, von Belletristik bis zu Hard Science. Er beschäftigt sich durch seinen Blog philosophisch mit der modernen Informationskultur und ist eine prominente Stimme auf internationalen Konferenzen, die sich der Förderung der Wissenschaft für ein breites Publikum widmet. Seine akademische Laufbahn umfasste die Definition des Fachgebiets Netzwerk- und Systemadministration am Oslo University College, wo er Professuren innehatte. Burgess promovierte in theoretischer Physik.
In a rapidly evolving digital landscape, marketers must adapt from traditional methods to new strategies. "The New Marketing" offers insights from industry leaders and experts, serving as a guide for students and professionals to thrive in this transformed marketing environment. It aims to prepare them for future challenges.
Ispirato da A.A. Milne e E.H. Shepard
Featuring key locations such as the Hundred Acre Wood, this title takes you on a journey to the real life places that inspired the classic Winnie-The-Pooh stories such as: Pooh Sticks Bridge, Harrods and London Zoo, and favourite locations from Winnie-the-Pooh and House at Pooh Corner such as Piglet's house and Eeyore's Gloomy Place.
Soon, the world's information infrastructure will reach such a level of scale and complexity that scientists will have to approach it in an entirely new way. In this book, Mark Burgess focuses on the impact of computers and information today.
The goal of Promise Theory is to reveal the behavior of a whole from the sum of its parts, taking the point of the parts rather than the whole. In other words, it is a bottom-up constructionist view of the world. Start Thinking in Promises and find out why this discipline works for documenting system behaviors from the bottom-up.
"A View From a Hill" is the complete untold story of The Chameleons and a cautionary tale of music-business trickery from the clever pen of Post-Punk legend Burgess, the band's lead singer.
Neues von PU – die Sensation aus dem Hundertsechzig-Morgen-Wald Vor 80 Jahren erschien der erste Pu: „Nonsens der Spitzenklasse!“ jubelte die New Yorker Herald Tribune. Pu-Spezialist David Benedictus macht Unmögliches möglich und schickt Christopher Robin erneut in den Hundertsechzig-Morgen-Wald zu Pu, Ferkel, I-Ah und den anderen Freunden. Ist der Bär jetzt schlauer geworden? Damit ist kaum zu rechnen! Denn, so Pu: „Eigentlich ist achtzig eine gute Zahl, aber es können ebenso gut auch achtzig Wochen oder Tage oder Minuten sein wie Jahre.“ „Sagen wir achtzig Sekunden, und dann wird es sein, als wäre gar keine Zeit vergangen.“ Unglaublich, aber wahr: David Benedictus hat neuen Nonsens mit dem Bären von geringem Verstand geschrieben, von Harry Rowohlt kongenial übersetzt. „Man könnte sagen, Christopher Robins Geist sei über Benedictus gekommen“ (Harry Rowohlt)
Once a year, the dogs in the paintings in London’s National Gallery have an exciting night out. For a few hours, they escape their gilded frames and are free to run up and down the grand staircases, chase each other round the marble halls, and explore the other exhibits. But four of the dogs overindulge and sleepily climb back into the wrong paintings. When the mix-up is discovered, the museum’s popularity soars! This playful story, with superb illustrations by Alan Curless and lovely reproductions of National Gallery paintings, provides young children with a charming introduction to fine art.
Targeted at graduate students and researchers, this 2002 publication delves into the intricate connections between field theory, group theory, and dynamical systems. It offers a comprehensive exploration of advanced concepts, making it an essential resource for those seeking to deepen their understanding of these mathematical areas. The book emphasizes theoretical frameworks and applications, providing valuable insights for academic study and research in these interconnected fields.
Little Toot the tugboat conquers his fear of rough seas when he single-handedly rescues an ocean liner during a storm.
