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Garry Winogrand

    Garry Winogrand war ein Straßenfotograf, dessen Werk das Amerika der Mitte des 20. Jahrhunderts mit der Energie und Dringlichkeit seiner Zeit einfing. Seine Bilder wirken oft von der Dynamik der Ereignisse angetrieben, die er miterlebte. Er erforschte die Verbindungen zwischen Menschen und Tieren sowie die sozialen Fragen seiner Zeit, insbesondere die Rolle der Medien bei der Formung von Einstellungen. Sein visueller Stil zeichnet sich durch eine schnelle, fast instinktive Erfassung der Realität aus.

    Garry Winogrand
    Public Relations
    • Public Relations

      • 120 Seiten
      • 5 Lesestunden

      [What Winogrand] has given us in these photographs is a unilateral report of how we behaved under pressure during a time of costumes and causes, and of how extravagantly, outrageously and continuously we displayed what we wanted. --Tod Papageorge Public Relations is a distillation of a photographic project begun by Garry Winogrand in 1969 when he was awarded a Guggenheim Fellowship to photograph what he called "the effect of media on events." With his characteristic zeal, passion, spontaneity and intensity, Winogrand photographed an array of public events including museum openings, press conferences, sports games, demonstrations, award ceremonies, a birthday party and a moon shot. The photographs depict our emerging dependence on the media as well as how the media changes and sometimes even creates the event itself. First published to accompany a 1977 exhibition at The Museum of Modern Art, New York.

      Public Relations
    • Garry Winogrand

      The Animals

      • 48 Seiten
      • 2 Lesestunden

      Winogrand's zoo, even if true, is a grotesquery. It is a surreal Disneyland where unlikely human beings and jaded careerist animals stare at each other through bars, exhibiting bad manners and a mutual failure to recognize their own ludicrous predicaments.--John SzarkowskiThe Animals is a classic photo book by the incessant, masterful photographer Garry Winogrand, reissued in a new edition by The Museum of Modern Art, New York, which first published the book in 1968. In it, Winogrand leaves the streets of the city for the caged aisles of the real urban jungle, the zoo, where he captures some of the more humiliating and strange moments in the lives of God's creatures. See a lion stick its tongue out between chain-link fencing, an orangutan pee into another's mouth, a hippo give a great big yawn, two lions lamely going at it, and seals watching lovers kiss.

      Garry Winogrand