Eric Stephenson Reihenfolge der Bücher

Brace yourself for the most clobber-filled title on the shelves! The talented Steve Skroce teams Ben Grimm with heroes from across the Marvel Universe! It's the Thing's greatest adventure yet, with or without the Fantastic Four. And it begins with Ben and his incredible sparring partner, the Hulk, stranded on a distant alien world where the duo must protect an ancient people against legions of Deviant hordes - and ultimately face the wrath of a Celestial! Then, Ben teams up with Wolverine on Krakoa, and Doctor Strange crashes a Grimm family reunion. But when the Thing is banished to the bottomless pit of interstitial space between realities, the most unlikely ally of all awaits. Can Ben fight all his instincts and declare "Clobberin' Time" alongside none other than Doctor Doom?! Collecting CLOBBERIN' TIME #1-5.

Im apokalyptischen Ödland Amerikas Die Cheyenne-Mountain-Anlage, auch als „Die Blase“ bekannt, ist der modernste Superbunker der ganzen Welt. Er wurde erbaut, um das Überleben der Exekutive der amerikanischen Regierung und der bedeutendsten Bürger zu sichern, falls das Undenkbare geschehen sollte ... Als dann die Welt tatsächlich unterging, gelang es der Exekutive nicht mehr, den Bunker lebend zu erreichen, der amerikanischen Bürgerelite jedoch schon. Achtzig Jahre später hat sich einer aus den elitären Reihen dieser Überlebenden zum neuen Präsidenten der Vereinigten Staaten ernannt. Sein Plan? Die Überlebenden des Ödlands mit denselben Bunkerressourcen zu unterdrücken, mit denen es wiederaufgebaut werden soll. Es gibt nur einen Menschen, der sich ihm in den Weg stellt: Eine tödliche junge Frau, die auf Rache sinnt! Ein dystopischer Kracher von Steve Skroce (MAESTROS, WE STAND ON GUARD, MATRIX) mit der Kolorierung von Eisner-Award-Gewinner Dave Stewart, der uns ins apokalyptische Ödland Amerikas katapultiert.

"After the traumatic events of the War for Phang, Hazel, her parents, and their surviving companions embark on a life-changing adventure at the westernmost edge of the universe. Plus, two standalone tales reveal the fates of fan-favorite characters The Will and Ghüs."--Back cover.

Freed from the influence of The Voice, Syd and her companions discover that life on their own presents painful new challenges and even greater threats. This book collects issue numbered 7-12.

Quatre scientifiques surdoués, à l'aube d'avancements majeurs, se sont rassemblés en un groupe de chercheurs, la World Corp., à l'initiative d'un nouvel âge. Ils sont devenus les scientifiques les plus célèbres de leur temps. Ils ont changé le monde et sont aimés de tous pour cela. Pourtant, quelque chose a dérapé. Et lorsque l'objectif est le progrès à tout prix, qui finalement en paye le prix ?

"Generation after generation, it's the same old S.O.S. There's no hope for the future, because young people think only of themselves. They have no respect for authority. They think that they know everything. They are arrogant. They are reckless. They want to tear the world apart. In a time full of possibilities, yet rife with disappointment, the youth are changing. They look the same, but they act different, think different, and have abilities we can only dream of. They're not like us."--Back cover of Volume 1

"Originally published in single magazine form as Saga #25-30"--Indicia.

"The sweeping tale of one young family fighting to find their place in the universe. When two soldiers from opposite sides of a never-ending galactic war fall in love, they risk everything to bring a fragile new life into a dangerous old world"--P. [4] of cover (v. 1).

Traveling to a cosmic lighthouse on planet Quietus in order to find their literary hero, new parents Marko and Alana are chased by a host of pursuers.

"SCIENCE IS THE NEW ROCK 'N' ROLL!" So said Dade Ellis, Simon Grimshaw, Emerson Strange, and Thomas Walker at the dawn of a new age of enlightenment that ushered in a boom in scientific advancement. As the research supergroup World Corp., they became the most celebrated scientists of all time. They changed the world - and we loved them for it. But where did it all go wrong? And when progress is made at any and all cost, who ultimately pays the price?