Vicente Huidobro Bücher

In 1925, Huidobro's collection of manifestos emerged as a strategic response to the rising Surrealist movement and critiques from a rival Spanish critic. This pivotal year marked Huidobro's exploration of new artistic directions while he sought to reinforce his place in the avant-garde. The manifestos reflect a blend of seriousness and irony, particularly as they coexist with Surrealist texts that critique the very movement. Following this period, Huidobro produced significant works like Altazor and Temblor de cielo, showcasing his evolution and maturity as a poet.

Exploring Vicente Huidobro's innovative concept of "Creationism," this bilingual edition presents his revolutionary ideas on imagination's universality, free from conventional meanings. The collection features acclaimed English translations by Jonathan Simkins alongside the original Spanish texts, highlighting Huidobro's significant impact on poetry and art. With a foreword by Leo Lobos, this work underscores the poet's visionary approach in a rapidly changing world, making it essential for understanding the interplay between language, creativity, and human experience.

Exploring the themes of artistic creation and reality, the novel follows Bernardo Saguen, a troubled writer grappling with mental illness and moral decline. As he descends into paranoia and schizophrenia, his unreliable narration raises questions about truth and perception. Written during a period of uncertainty for Huidobro, this final prose work reflects his literary, social, and philosophical concerns, intertwining his personal struggles with broader existential inquiries. The narrative culminates in a haunting ambiguity, leaving readers to ponder the nature of reality and sanity.

The collection features a blend of essays, aphorisms, and observations reflecting the author's experiences and insights gained during years spent in Europe. Published in 1926 in Santiago, it showcases Huidobro's unique perspective and literary style, offering readers a thought-provoking exploration of various themes and ideas.

The book showcases two early French poetry collections by Huidobro, published in 1925, which reflect his engagement with Dada and Surrealism. These works, though not pivotal in his poetic evolution, reveal his experimentation before achieving his mature style in Spanish. The volume includes the complete texts of the original editions alongside all known Spanish translations by Huidobro, offering a comprehensive view of his formative artistic journey and the influences that shaped his later, more transcendent poetry.

The volume features a unique collection of four chapbooks published between 1917 and 1918, showcasing a blend of styles and languages. It includes "El espejo de agua," written earlier but not widely distributed until 1918, followed by "Horizon carré." The Spanish-language "Ecuatorial" and the French "Poemas árticos," "Hallali," and "Tour Eiffel" highlight significant textual experimentation. These works played a crucial role in the emergence of the Spanish avant-garde movement, reflecting the innovative spirit of the time.

Adán marks Huidobro's transition to free verse, showcasing his early maturity as a poet. The work retains elements of his prior symbolist style, influenced by Rubén Darío, while exploring innovative poetic forms. This collection reflects Huidobro's struggle to break away from his past influences, signaling the beginning of his evolution as a modernist writer.

Na konci roku 2018 vydavateľstvo LN Studňa publikovalo výber z poézie Vicenteho Huidobra pod názvom Skryté pagody a iné básne, preložený Vierou Dubcovou a ilustrovaný Tomášom Krčmérym. Tento nový výber obsahuje doteraz nevydané básne, pričom prvý výber z Huidobrovej poézie vyšiel už v roku 1972. Huidobro (1893–1948) sa vo svojej tvorbe inšpiruje modernizmom a stáva sa priekopníkom avantgardy, zakladá kreacionizmus, ktorý neskôr popiera kvôli úzkosti z rozumu. Kniha zahŕňa významný výber zo zbierky Skryté pagody (1914), ktorá ukazuje prechod medzi modernistickou a avantgardnou poéziou. Obsahuje cenné ľúbostné motívy a originálne reflexie o prírode a medziľudských vzťahoch. Ďalej sú tu ukážky z Huidobrovej avantgardnej poézie z obdobia 1. svetovej vojny, vyjadrujúce túžbu po živote a smútenie nad ľudskou zloby. Skromnejšie sú zastúpené jeho postavantgardné dielo, kde sa približuje surrealizmu, ktorý predtým odmietal. Tieto básne sú reflexiou v obrazoch, úzkosťou zo zla a hľadaním krásy. Knihu uzatvára prekladateľkin doslov, ktorý reflektuje Huidobrovu lásku k človeku, obdiv k jeho tvorivým schopnostiam a smútenie z deformácií ľudskej povahy.