Ananda Kentish Coomaraswamy war ein ceylonesischer Philosoph und Metaphysiker sowie ein wegweisender Historiker und Philosoph der indischen Kunst. Seine Arbeit konzentrierte sich auf Kunstgeschichte und Symbolik sowie auf die Einführung der indischen Kultur in den Westen. Er wird als „der bahnbrechende Theoretiker beschrieben, der maßgeblich dafür verantwortlich war, die alte indische Kunst im Westen bekannt zu machen“. Seine Bemühungen eröffneten dem westlichen Publikum ein tiefes Verständnis für das künstlerische Erbe Indiens.
Formerly known as 'Why Exhibit Works of Art?', this book is a study of Christian and Eastern arts. The book is a collection of articles written by Coomaraswamy, which were published in reputed art journals and pamphlets, and notes of reviews of different artists published in New York, Boston, Paris, Calcutta, and London.
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The book is highly recommended to students, instructors, museologists, and research scholars interested in Indian arts.
Ananda K. Coomaraswamy, a prominent authority on global religious traditions, offers profound insights into art, culture, and metaphysics in this expanded edition of his 1949 work. It features an additional article, "The Bugbear of Democracy, Freedom, and Equality," which enhances the exploration of complex themes. This collection stands out as an enlightening contribution to English literature, reflecting the author’s deep understanding and interpretation of significant philosophical concepts.
The book delves into Indian music with in-depth analysis, exploring its cultural significance. It also addresses the status of Indian women and the impact of Sahaja philosophy, while reflecting on the intellectual community and the perspectives of Indian youth. Themes of individualism are examined, providing a comprehensive look at contemporary Indian society.
The author writes further that Gandhara art is Indic, and not European. This book is highly recommended for scholars and researchers interested in Buddhist art.
His works were influenced by the Traditionalist and Perennial Schools of Philosophy. He authored several books which were based on the traditional arts, metaphysics, and social criticism. He was also the curator of Indian art at the Boston Museum of Fine Arts.
Besides, Coomaraswamy offers his commentary based on the philological aspect, as the writers of the Vedas did not have previous knowledge of metaphysics, but had developed ontological knowledge from the existing Sanskrit sources.
Similarly, both Coomaraswamy and Horner also discuss the issues of heresiology, dhamma for the common folk, sacrifices, treatment of animals, and familial and societal responsibilities from Buddha's perspective.
Gathered together in a single volume, here are the most important stories of Indian mythology, taken mainly from the epic poems the Mahabharata & the Ramayana, with additional tales from the purana & vedas from assorted narratives of Krishna, Buddha & Shiva. The stories range from the initial stages of mythos to the final, mature state. Includes 32 illustrations by Abanindro Nath Tagore & others.PrefaceIllustrationsMythology of the Indo-Aryan races The Ramayana The MahabharataKrishna Buddha Shiva Other stories from the Puranas, epics & vedasConclusion
