Thomas Keenan Bücher

Exam Board: AQALevel & Subject: GCSE 9-1 Maths HigherNext exams: June 2024Working towards AQA Approval Celebrating over 25 years in print, the fifth edition of this classic and beloved GCSE Maths textbook has been updated for today’s students to prepare them for GCSEs and beyond.

Exam Board: EdexcelLevel & Subject: GCSE 9-1 Maths FoundationNext exams: June 2024Working towards Edexcel endorsement Celebrating over 25 years in print, the fifth edition of this classic and beloved GCSE Maths textbook has been updated for today’s students to prepare them for GCSEs and beyond.

Exam Board: AQALevel & Subject: GCSE 9-1 Maths FoundationNext exams: June 2024Working towards AQA Approval Celebrating over 25 years in print, the fifth edition of this classic and beloved GCSE Maths textbook has been updated for today’s students to prepare them for GCSEs and beyond.

This edition enhances the exploration of biological foundations and moral development within the field of developmental psychology. It also emphasizes applied aspects, making it particularly relevant for students. The text is designed to provide a comprehensive understanding of how psychological principles develop throughout the human lifespan.

Exam Board: EdexcelLevel & Subject: GCSE 9-1 Maths HigherNext exams: June 2024Working towards Edexcel endorsement Celebrating over 25 years in print, the fifth edition of this classic and beloved GCSE Maths textbook has been updated for today’s students to prepare them for GCSEs and beyond.

The status of images is fluid and constantly evolving, influenced by context and meaning. Rasha Salti and Thomas Keenan explore this dynamic in relation to justice, war, and protest, using their archives to examine images as memory, representation, and more, highlighting their unstable yet powerful nature.

This go-to guide can be your handbook as you enter the art world and navigate the nuances of becoming self-sufficient. Instead of feeding you new techniques, it will provide you with insights to help you make decisions based on your specific situation and goals. By the end of this book, you will have a set of guidelines for scenarios that range from taking on commission work and conducting negotiations to dealing with rejection and improving your organization. Be the Artist is designed to help up-and-coming creatives educate themselves on essential yet seldom-discussed strategies, learn about new and relevant artists, and gather the resources they need to build their business.

How to transcend land grab economies, even by means of art? The reader REALTY moves from the safety of critique to the vulgarity of suggestions. The pandemic?s effect on mobility presents a historic opportunity. Rarely has criticism of our extractive artworld logic of one-place-after-another been louder. REALTY is a long-term curatorial program by Tirdad Zolghadr (*1973), initially commissioned by the KW Institute for Contemporary Art. With the help of numerous artists and experts who contributed over 2017?2020, this reader revisits how contemporary art can contribute to decisive conversations on urbanism.00TIRDAD ZOLGHADR (*1973) is a curator and writer. He is currently artistic director of the Sommerakademie Paul Klee. Curatorial work over the last two decades includes biennial settings as well as long-term, research-driven efforts, most recently as associate curator at KW Institute for Contemporary Art Berlin, 2016-20

In 1985, the body of Josef Mengele, one of the last Nazi war criminals still at large, was unearthed in Brazil. The ensuing process of identifying the bones in question opened up what can now be seen as a third narrative in war crime investigations—not that of the document or the witness but rather the birth of a forensic approach to understanding war crimes and crimes against humanity. In the period coinciding with the discovery of Mengele’s skeleton, scientists began to appear in human rights cases as expert witnesses, called to interpret and speak on behalf of things—often bones and human remains. But the aesthetic, political, and ethical complications that emerge with the introduction of the thing in war crimes trials indicate that this innovation is not simply one in which the solid object provides a stable and fixed alternative to human uncertainties, ambiguities, and anxieties. The complexities associated with testimony—that of the subject—are echoed in the presentation of the object. Human remains are the kind of things from which the trace of the subject cannot be fully removed. Their appearance and presentation in the courts of law and public opinion has in fact blurred something of the distinction between objects and subjects, evidence and testimony. Named an ICA London 2012 Book of the Year and one of Longform's best books written about fugitive war criminals.