David Llewellyn ist ein walisischer Romanautor und Drehbuchautor, dessen Werk sich mit der Komplexität menschlicher Beziehungen und den psychologischen Tiefen seiner Charaktere auseinandersetzt. Sein Schreiben zeichnet sich durch scharfen Einblick in die menschliche Natur und die Fähigkeit aus, fesselnde und atmosphärische Erzählungen zu schaffen. Llewellyn erforscht häufig die Grenzen zwischen Gut und Böse und durchdringt seine Geschichten oft mit einem Hauch von Dunkelheit und Ambiguität. Sein erzählerischer Ansatz ist präzise, und seine stilistische Begabung macht seine Prosa für die Leser fesselnd und unvergesslich.
Every morning and every evening, Rollo would cry, 'I don't want to clean my teeth!' Rollo's family are on track with mealtimes and going to bed, but now Rollo doesn't want to clean his teeth ... From talented author-illustrator David (D.M.) Cornish comes the perfect book for parents who might need to brush up on their children's teeth cleaning.
The Chelsea Flower Show appears mundane to the Doctor, but in the futuristic city of Chelsea 426, floating on Saturn's clouds, the flowers hold unexpected dangers. As he delves deeper, his concerns grow.
The novel presents an original and aggressive narrative style, effectively tackling various themes and subjects with a bold, scattergun approach. It engages with multiple moving targets, showcasing a compelling storytelling technique that resonates with readers. The work has garnered attention for its unique perspective and dynamic execution, making it a noteworthy addition to contemporary literature.
Tiger Bay, Cardiff, 1950: A mysterious crate is brought into the docks on a Scandinavian cargo ship, the Kungssangen. Its destination: The Torchwood Institute. As the crate is offloaded by a group of local dockers it explodes, killing all but one; a young Butetown lad called Michael Bellini. Fifty-eight years later a radioactive source somewhere inside Torchwood leads the team to discover the same Michael Bellini, still young and dressed in his 1950s clothes, cowering in the vaults. As they question the intruder, it becomes apparent that each of them has met him in the past. All of them remember him talking incoherently about terrifying "Men In Bowler Hats" and little more, but it's Jack who remembers him best of all...
Sixth edition covers the implementation in United Kingdom law of the Directive on Copyright in the Information Society, the introduction of artists' resale rights and the "market-orientated" version of the Technology Transfer Regulation.