Henri Loyrette Bücher

The Kunsthistorisches Institut Bonn, Yesterday and Today. The imposing presence of architecture captured in the absence of that is the defining characteristic of the photographs with which Candida Höfer (b. 1944, Eberswalde; lives and works in Cologne) has risen to international renown. In 1992, she captured the Kunsthistorisches Institut der Rheinischen Friedrich- Wilhelms-Universität Bonn in ten analogue black-and-white pictures that have not been on public display. In 2020, Höfer returned to the institute to take more pictures using a digital camera. The two series now make their public début in the institute’s halls and are gathered in this book. Undertaking a historically and aesthetically captivating comparison, Höfer probes the ways in which university life has changed over almost three decades. Candida Höfer was a member of Bernd Becher’s inaugural photography class at the Kunstakademie Düsseldorf. Her works were shown at documenta 11 in 2002, and in 2003, she and Martin Kippenberger represented Germany at the 50th Biennale di Venezia.

I would like to be famous and unknown said Edgar Degas. His sublime paintings of ballet dancers, striking views of horseraces and intimate scenes of women bathing made him famous. Yet he remains unknown, for the fame of these pictures has obscured both the rest of his work - historical subjects, portraits, landscapes - and his private life. Here is Degas' sixty-year career - as a passionate supporter of the avant-garde, a champion of Impressionism, an insatiable experimenter.

An in depth look at the Mona Lisa including some myths, other works by Leonardo, history, and a look at the location of the portrait.