James Thompson war eine führende Stimme des Nordic Noir, berühmt für seine atmosphärischen und fesselnden Kriminalromane. Seine Werke erforschten oft die dunkleren Aspekte der menschlichen Natur, die sich lebhaft vor der kargen finnischen Landschaft abzeichneten. Thompsons fesselnde Erzählungen und scharfe Charakterisierungen etablierten ihn als bedeutende Figur der zeitgenössischen Kriminalliteratur und brachten ihm internationale Anerkennung und kritischen Beifall für sein gekonntes Geschichtenerzählen ein.
Kari Vaara ermittelt in 2 Fällen: zum einen muss er den Mord an der Frau eines russischen Geschäftsmannes aufklären, zum anderen soll er herausfinden, ob der finnische Nationalheld Lahtinen im 2. Weltkrieg in einem Straflager Juden und Kommunisten systematisch getötet hat. Forts. von äEisengelä.
Eiskalt wie ein Stich ins Herz Ein finnischer Skiort am Polarkreis. Wo im Winter die Welt im Dunkel versinkt. Wo die Stille Menschen verrückt macht. Und wo ein Verbrechen geschieht, das ein ganzes Land in Schrecken versetzt: Im Schnee wird die furchtbar zugerichtete Leiche einer Afrikanerin gefunden. Auf der Brust der Toten glitzert es: Bei minus 40 Grad gefrieren auch Tränen. Bei einer Leiche bleibt es nicht. Und Inspektor Kari Vaara packt die Angst, als er auf eine Verbindung zu dem berüchtigten Mordfall «Schwarze Dahlie» stößt ... «Die lakonische Stimme von Inspektor Kari Vaara klingt gefährlich und menschlich zugleich, seine Welt ist kalt, leer und doch berückend exotisch, seine Geschichte erzählt er schnell und brutal, dabei aber mit einer fast entspannten Ruhe.» Peter Høeg
Focusing on the intersection of theater and conflict, this book explores extraordinary performances that emerge from actual war zones. It highlights initiatives in refugee camps, war-torn villages, and occupied cities, showcasing how theater persists amid violence and turmoil. The narrative captures the resilience of artists who create and perform during bombings, ceasefires, and post-conflict periods, illustrating the profound impact of these dramatic expressions on communities affected by war.
Focusing on the challenges faced by communities impacted by war and exclusion, the book delves into theatre practice through a series of engaging chapters. Each narrative employs contemporary performance theories to illuminate the unique stories and experiences of these communities. The lively writing style invites readers to reflect on the intersection of art and social issues, making complex ideas accessible and relevant.
For famous one-armed war correspondent Paddy Quinn, this is to be his final Civil War assignment: the funeral of the assassinated President Lincoln. Quinn and his new bride Felice are aboard the steamboat Sultana going up the spring-flooded Mississippi River toward Illinois to meet the Funeral Train, when their honeymoon vessel stops at Vicksburg and takes on a pathetic human cargo of 2,000 sick and ragged survivors of the hellish Andersonville prisoner-of-war camp, kept alive only by their desire to get home. Quinn's lot is now thrown in with some of the unluckiest veterans of that awful war. While he is interviewing them about life in the notorious prison, the Sultana, carrying five times its lawful number of passengers, explodes after midnight. Quinn is blown overboard with the emaciated veteran Robb Macombie, and in the worst night of his life proves himself a better man than he had ever imagined he could be. In this narrative of America's worst maritime disaster, the deepest undercurrent is the spirit of the martyred President, whom Quinn and Macombie have vowed to honor by attending his funeral even if it kills them.
Focusing on anger management and offending behavior, the workshops Blagg! and Pump! utilize dynamic drama techniques and props to engage participants. Blagg! addresses the consequences of actions and the impact on victims and families, while Pump! emphasizes self-awareness and coping strategies. Designed for flexibility, these programs cater to various groups facing aggression issues, such as offenders or probationers. James Thompson provides a comprehensive overview, situating these dramatic exercises within their historical and theoretical frameworks.
The alternating voices of Paddy Quinn, a young man with journalistic aspirations, and Mexican soldier Agustin Juvero recount the story of John Riley, who deserts the American army to fight for Mexico in the Mexican-American War.
Drawing on experiences from all over the world, this study explores the use of theatre for tackling a wide range of social issues. The author articulates the reasons for the successful use of theatre in a number of projects that have dealt with difficult and often painful subject matter.