Facsimile of an artist book that Genzken created about 15 years ago in Berlin and published on the occasion of the exhibition at the Stedelijk, Amsterdam (29.11.2015-11.03.2016). The book, a scrapbook in the style of Genzken’s well-known publication 'I Love New York, Crazy City', is full of playful collages in which she reflects on big-city life, media culture, sexual identity, and her own biography. The original publication is on view in the exhibition.
Isa Genzken is arguably one of the most important and influential female artists of the past 30 years, yet the breadth of her achievement--which spans sculptures, paintings, photographs, collages, drawings, artist's books, films, installations and public works--is still largely unknown in the United States. Published in conjunction with the first comprehensive retrospective of the artist's epically diverse body of work, this publication encompasses Genzken's work in all media over the past 40 years and is the most complete monograph on the artist available in English. Genzken has been part of the artistic discourse since she began exhibiting in the mid-1970s, but over the last decade a new generation of artists has been inspired by her radical inventiveness. The past ten years have been particularly productive for Genzken, who has created several bodies of work that have redefined assemblage for a new era. The catalogue presents Genzken's career, through essays exploring the unfolding of her practice from 1973 until today, as well as an expansive plate section that provides a chronological overview of all her most important bodies of work and key exhibitions.Born in Germany in 1948, Isa Genzken is one of Germany's most important living artists. In the mid-1970s, as a student at Dusseldorf's renowned Kunstakademie, she created geometric wood sculptures, which gained her early international acclaim (she exhibited these works at Documenta 7 and the Venice Biennale in 1982). Since then, she has made sculptures in plaster, concrete and epoxy resin. Ranging in size from maquettes to monumental, these abstract works are influenced by Minimalism, but are decidedly narrative. Paintings that examine ideas of surface and light, as well as photographs, collages, artist's books and films, followed in the 1990s. From the late 90s on, Genzken began to create increasingly complex sculptural installations.
Isa Genzken wird Deutschland auf der 52. Biennale von Venedig repräsentieren. Seit mehr als 30 Jahren schafft die 1948 geborene Künstlerin ein vielseitiges Œuvre, das sie mit immer neuen Wendungen kontinuierlich weiterentwickelt. Ihr umfangreiches Werk umfasst Skulpturen und Installationen sowie Fotos, Collagen und Filme. Die Inszenierungen der Künstlerin sind von einer theatralischen Qualität, die den Betrachter intellektuell und emotional herausfordert. Ihm eröffnet Isa Genzken komplexe neue Sinnzusammenhänge, die genau das thematisieren, was uns als Gesellschaft heute wirklich bewegt und berührt. - Zahlreiche erstmals veröffentlichte Fotos der Installation - Mit dem einzigen von Isa Genzken zugesagten Exklusiv-Interview zur Biennale (geführt von Nicolaus Schafhausen) „Ich finde, dass es sehr, sehr schwierig ist, Kunst zu machen. Aber es gibt jede Menge Leute, die denken, es wäre ganz einfach. Das ist ein solch großes Missverständnis. Es ist einfach wahnsinnig schwierig, gut zu sein in der Kunst!“ Isa Genzken
