Beate Ermacora Bücher

Die umfangreich bebilderte Publikation stellt zum ersten Mal die breit gefächerte Sammlung zeitgenössischer Kunst vor, die seit 1983, dem Gründungsjahr des Vereins, in enger Verbindung mit der Ausstellungstätigkeit der Kunstmuseen Krefeld entstanden ist. Sie spiegelt zahlreiche wichtige künstlerische Positionen der letzten dreißig Jahre wider. Das Buch enthält ein vollständiges Verzeichnis sämtlicher Arbeiten; zusätzlich wird der größte Teil der mehr als 140 Werke umfassenden Sammlung durch Kurztexte und farbige Abbildung vorgestellt. Künstler u. a. Gerhard Richter, Sigmar Polke, Bruce Nauman, Carl Andre, Claes Oldenburg, David Rabinowitch, Thomas Schütte, Anri Sala, Hub-bard/Birchler, Miroslaw Balka, Fabian Marcaccio

Global interconnectedness due to the growing movements of travel and migration, and to more and more complex flows of goods and data, raw materials and capital has made often ambivalent changes to the reality of life in very diverse regions of the world. The international group exhibition Worlds in Contradiction – Areas of Globalisation is devoted to artists whose work traces these global contexts and impacts in diverse thematic fields.0The exhibition takes particular care to avoid an exclusively eurocentric perspective on the phenomena examined by the artists and aims to elucidate them from multiple standpoints. The political, social and cultural, as well as aesthetic perceptions and critical inquiries into the processes of globalisation, will employ such varied media as film, video, photography and sculpture, taking on the one hand a sociological and documentary approach, and on the other a metaphorical, symbolic and poetic angle.00Exhibition: Galerie im Taxispalais, Austria (23.5.-2.8.2015)

Finnish artist Robert Lucander, who investigates the interplay between painting and photography, selects his source snapshots and portraits from magazines, cheap novels, books and album covers. His figures are traced and shaded in pencil on wood, where he uses the grain to suggest depth. They are then framed in richly contrasting solid, unshaded enamel, so that a flat blue silhouette of a model's tousled hair frames his face precisely drawn over the wood grain, or a pair of carefully penciled arms are crossed upon a flat cerulean blue background. Of his practice he says, "I use industrially manufactured acrylic paint without experimenting, I just follow the instructions on the tin." Cocktail International encompasses works dating from 1989 to 2005, from Lucander's early abstract phase through those signature wooden panel paintings to his latest watercolors.