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I Burn Paris

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  • 309 Seiten
  • 11 Lesestunden

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This book, published by Twisted Spoon Press in Prague, presents a powerful narrative that has remained a significant piece of Polish literature since its controversial serialization in 1928. It follows a disgruntled factory worker who, after losing his job, decides to poison Paris's water supply. As chaos ensues, the story unfolds against a backdrop of diverse characters, including Chinese communists, rabbis, disillusioned scientists, and American millionaires, all navigating a city fracturing into ethnic enclaves. Central to the narrative is a pervasive xenophobia that unites these groups amid the city's descent into ruin. The author issues a rallying cry for the oppressed, blending revolutionary themes with popular music. Employing montage techniques reminiscent of early avant-garde cinema, the novel dissects utopian fantasies with visceral metaphors. It transforms Paris into a landscape shaped by disease and despair, illustrating a world where factories and machines dominate, reducing human relationships to mere transactions. Despite its grim depiction, the writing possesses an immediacy that transcends simplistic propaganda, revealing the metropolis as superficially cosmopolitan yet fundamentally hostile. This English translation addresses a significant gap in the interwar Polish avant-garde literature, an artistic movement that is gaining renewed interest.

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I Burn Paris, Bruno Jasieński

Sprache
Erscheinungsdatum
2012
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(Hardcover)
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Titel
I Burn Paris
Sprache
Englisch
Autor*innen
Bruno Jasieński
Erscheinungsdatum
2012
Einband
Hardcover
Seitenzahl
309
ISBN10
8086264378
ISBN13
9788086264370
Reihe
Erstveröffentlichung
1928
Originaltitel
Palę Paryż
Bewertung
4,2 von 5 Sternen
Beschreibung
This book, published by Twisted Spoon Press in Prague, presents a powerful narrative that has remained a significant piece of Polish literature since its controversial serialization in 1928. It follows a disgruntled factory worker who, after losing his job, decides to poison Paris's water supply. As chaos ensues, the story unfolds against a backdrop of diverse characters, including Chinese communists, rabbis, disillusioned scientists, and American millionaires, all navigating a city fracturing into ethnic enclaves. Central to the narrative is a pervasive xenophobia that unites these groups amid the city's descent into ruin. The author issues a rallying cry for the oppressed, blending revolutionary themes with popular music. Employing montage techniques reminiscent of early avant-garde cinema, the novel dissects utopian fantasies with visceral metaphors. It transforms Paris into a landscape shaped by disease and despair, illustrating a world where factories and machines dominate, reducing human relationships to mere transactions. Despite its grim depiction, the writing possesses an immediacy that transcends simplistic propaganda, revealing the metropolis as superficially cosmopolitan yet fundamentally hostile. This English translation addresses a significant gap in the interwar Polish avant-garde literature, an artistic movement that is gaining renewed interest.