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A heart-wrenching thriller that explores the nature of love, and the evil that threatens it. Easter Quillby: Wade disappeared on us when I was six, and I never saw him again until I turned twelve, after Mom was buried. She always said he was a loser, even if he was our dad, but it turns out he was much more than that. He was also a thief. Like he was on the day he stole me and my little sister. Bobby Pruitt: Wade took everything. My career. My health. My freedom. He screwed me and then he put me in jail. But now Iâe(tm)m out and Iâe(tm)ve got a new reason to find him. Because Wade made a big mistake, and now someone wants him dead. And thatâe(tm)s where I come in . . .
Buchkauf
This Dark Road to Mercy. Schaut nicht zurück, englische Ausgabe, Wiley Cash
- Sprache
- Erscheinungsdatum
- 2015
- product-detail.submit-box.info.binding
- (Paperback)
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- Titel
- This Dark Road to Mercy. Schaut nicht zurück, englische Ausgabe
- Sprache
- Englisch
- Autor*innen
- Wiley Cash
- Verlag
- Random House UK
- Erscheinungsdatum
- 2015
- Einband
- Paperback
- Seitenzahl
- 304
- ISBN10
- 0552778214
- ISBN13
- 9780552778213
- Reihe
- Schlagwörter
- Belletristik, Krimi & Thriller, Liebe, Thriller, Spannung, USA, Beziehungen, Klassische Krimis, Erinnerungen, Geld, Ermittlung, Entführungen, Familienbeziehungen, Briefe, Schwestern, Vater, Südstaaten, Verfolgung, Baseball, North Carolina
- Bewertung
- 3,75 von 5 Sternen
- Beschreibung
- A heart-wrenching thriller that explores the nature of love, and the evil that threatens it. Easter Quillby: Wade disappeared on us when I was six, and I never saw him again until I turned twelve, after Mom was buried. She always said he was a loser, even if he was our dad, but it turns out he was much more than that. He was also a thief. Like he was on the day he stole me and my little sister. Bobby Pruitt: Wade took everything. My career. My health. My freedom. He screwed me and then he put me in jail. But now Iâe(tm)m out and Iâe(tm)ve got a new reason to find him. Because Wade made a big mistake, and now someone wants him dead. And thatâe(tm)s where I come in . . .