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The Lost Books of the Odyssey

A Novel

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In the plain outside Troy, Agamemnon demands a fortress. With only a few trees and unlimited sand, the Greeks dig an inverted palace into the earth. After ten years, Odysseus returns to Ithaca, discovering his wife Penelope has betrayed him and married; each return reveals a different reality—his family ages and dies, he finds an empty, ruined house, and ultimately, he sets sail again out of boredom, only to return to find Penelope dead. Comprising forty-four retellings of passages from Homer's *Odyssey*, this work serves as a fictional apocrypha, radically reimagining Classical legend. The author takes Homer's linear narrative and disrupts it, presenting fragments of alternative and contradictory versions of familiar tales—the Trojan Horse, the Cyclops, Circe, and the Sirens—reassembling them into new forms. These inverted stories act as glosses, mirrors, and mazes that delve into Odysseus's journey, offering fresh insights into its ambition, sadness, and futility. Echoing Borges and Calvino's *Invisible Cities*, this elegant, allusive, and provocative exploration is destined to become a modern classic.

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The Lost Books of the Odyssey, Zachary Mason, Homér

Sprache
Erscheinungsdatum
2010
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(Hardcover)
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Titel
The Lost Books of the Odyssey
Untertitel
A Novel
Sprache
Englisch
Autor*innen
Zachary Mason, Homér
Verlag
Farrar
Erscheinungsdatum
2010
Einband
Hardcover
Seitenzahl
240
ISBN10
0224090224
ISBN13
9780224090223
Reihe
Beschreibung
In the plain outside Troy, Agamemnon demands a fortress. With only a few trees and unlimited sand, the Greeks dig an inverted palace into the earth. After ten years, Odysseus returns to Ithaca, discovering his wife Penelope has betrayed him and married; each return reveals a different reality—his family ages and dies, he finds an empty, ruined house, and ultimately, he sets sail again out of boredom, only to return to find Penelope dead. Comprising forty-four retellings of passages from Homer's *Odyssey*, this work serves as a fictional apocrypha, radically reimagining Classical legend. The author takes Homer's linear narrative and disrupts it, presenting fragments of alternative and contradictory versions of familiar tales—the Trojan Horse, the Cyclops, Circe, and the Sirens—reassembling them into new forms. These inverted stories act as glosses, mirrors, and mazes that delve into Odysseus's journey, offering fresh insights into its ambition, sadness, and futility. Echoing Borges and Calvino's *Invisible Cities*, this elegant, allusive, and provocative exploration is destined to become a modern classic.