Charles Palliser Reihenfolge der Bücher (Chronologisch)

From the author of the international bestsellerThe Quincunx When his nation is invaded and occupied by a brutal enemy, a man persuades his wife that they should give temporary shelter to a young girl who is at school with their daughter. He has no idea that the girl belongs to a community against whom the invader intends to commit genocide. Days stretch into weeks and then months while the enemy's pitiless hatred of the girl's community puts all of the family in danger. Nobody outside the family can be trusted with the dangerous secret and the threat from outside creates internal conflicts that put the family's unity at risk.

Où l’on retrouve l’art intranquille de Charles Palliser, l’auteur du Quinconce (Phébus, 1993) – ce roman labyrinthe en cinq volumes qui explora, comme jamais peut-être, les voies du crime, et qui fut un succès mondial. Dans une petite ville d’Angleterre à la Belle Époque, quelques messieurs des mieux respectables, sous le regard d’un enquêteur féru d’histoire ancienne, se retrouvent avec un cadavre sur les bras... et doivent avouer au monde les ordinaires turpitudes de la vie. Un récit féroce, relevé d’un humour plutôt sombre, où Palliser confirme la pente traîtresse de son talent ; et nous rappelle à sa façon, comme Hitchcock hier, comme Wilkie Collins avant-hier, que l’existence est d’abord un mystère – un espace piégé où tout conspire à égarer le chercheur de vérité (un meurtre peut toujours en cacher un autre). Chacun d’entre nous se résume à une énigme, nous chuchote l’auteur, orfèvre en la matière : une énigme qui n’aura chance de s’éclairer à nos yeux qu’autant que nous acceptons de surmonter notre peur du noir.

1881 wird in einer englischen Kleinstadt in der Kathedrale die Leiche eines lebendig eingemauerten Mannes gefunden. Eine Lawine verstörender Entdeckungen kommt ins Rollen: gefälschte Manuskripte, alte Blutfehden, Manipulationen - und dann auch noch ein Mord

The protagonist, a young man naive enough to be blind to all clues about his own hidden history (and to the fact that his very existence is troubling to all manner of evildoers) narrates a story of uncommon beauty which not only brings readers face-to-face with dozens of piquantly drawn characters at all levels of 19th-century English society but re-creates with precision the tempestuous weather and gnarly landscape that has been a motif of the English novel since Wuthering Heights. The suspension of disbelief happens easily, as the reader is led through twisted family trees and plot lines. The quincunx of the title is a heraldic figure of five parts that appears at crucial points within the text (the number five recurs throughout the novel, which itself is divided into five parts, one for each of the family galaxies whose orbits the narrator is pulled into). Quintuple the length of the ordinary novel, this extraordinary tour de force also has five times the ordinary allotment of adventure, action and aplomb.

At once a hypnotic murder mystery, scathing literary parody, soap opera, and brilliant pastiche, Betrayals is an astonishing virtuouso performance by a modern master of literary gamesmanship in the tradition of Vladimir Nabokov and John Barth. The novel unforlds in a series of seemingly unrelated narratives, each written in a different style -- indeed, in a different genre. There is an obituary for a Scottish scientist and Nobel Prize winner, written by a colleague who clearly relishes his death. Early in the century, a train in the Scottish Highlands heads down the wrong track during a winter snowstorm, and the passengers are forced to abandon the train, resulting in the death -- or is it murder? -- of one of them. An inane publisher's reader summarizes the plot of a tacky hospital romance novel, which ends in a gory murder all too reminiscent of Jack the Ripper. Even a report on a contemporary academic controversy explodes into a scandal of plagiarism, shattered reputations, paranoia, and suicide -- or is it murder made to look as such? As Palliser deftly teases out each new situation, it becomes clear that they are all variations on a single outrageous theme: a distinguished figure in some intellectual pursuit -- science, literature, academia -- becomes obsessed with the success of a rival and schemes his demise, only to botch the job out of sheer monomania. Like the scorpion that stings itself to death, each plotter becomes a victim of his own plot; each betrayer changes places with the betrayed in an intricate dance of deception, revenge, and revelation. A challenging, engrossing, utterly original work of art, Betrayals is also pure joy to read -- a book that will make you laugh out loud, turn pages madly in pursuit of the next plot twist, and above all, marvel at the supreme ingenuity of a fictional puzzle in which the unlikeliest pieces fit together perfectly.

Rond 1800 raakt een Londense jongen bij de jacht op het testament van zijn grootvader verzeild in een net van intriges.

John Huffam auf der Suche nach der Wahrheit über seine Herkunft. Eine Abenteuergeschichte und gleichzeitig eine Schilderung der Lebensverhältnisse im London um 1820.