Sara Baume schreibt mit einem scharfen Blick für Details und Metaphern. Ihre Werke erforschen Themen wie Einsamkeit, Identität und die Suche nach Heimat. Der Hintergrund der Autorin in der bildenden Kunst zeigt sich in ihrer bildhaften und sinnlichen Prosa. Baume befasst sich mit den komplexen Beziehungen zwischen Menschen und ihrer Umgebung.
Taking place in a remote house in the south-west of Ireland, this rich and vivid novel spans seven years and speaks to the times we live in, asking how we may withdraw, how better to live in the natural world, and how the choices made or avoided lead us home.
In this contemplative short narrative, the artist and writer charts the daily process of making and writing, exploring what it is to create and to live as an artist
SHORTLISTED FOR THE GOLDSMITHS PRIZE 2017 'When I finished Sara Baume's new novel I immediately felt sad that I could not send it in the post to the late John Berger. He, too, would have loved it and found great joy in its honesty, its agility, its beauty, its invention. Baume is a writer of outstanding grace and style. She writes beyond the time we live in.' Colum McCann Struggling to cope with urban life - and with life in general - Frankie, a twenty-something artist, retreats to the rural bungalow on 'turbine hill' that has been vacant since her grandmother's death three years earlier. It is in this space, surrounded by nature, that she hopes to regain her footing in art and life. She spends her days pretending to read, half-listening to the radio, failing to muster the energy needed to leave the safety of her haven. Her family come and go, until they don't and she is left alone to contemplate the path that led her here, and the smell of the carpet that started it all. Finding little comfort in human interaction, Frankie turns her camera lens on the natural world and its reassuring cycle of life and death. What emerges is a profound meditation on the interconnectedness of wilderness, art and individual experience, and a powerful exploration of human frailty.
Ray sucht im Tierheim einen Hund gegen die Ratten in seinem Haus und nimmt den traurigsten Köter von allen mit: Einauge ist schreckhaft, immer hungrig und manchmal aggressiv. Nach einem schlimmen Zwischenfall am Strand steht die Polizei vor der Tür. Ray zögert nicht und packt Einauge ins Auto. So fahren die beiden die irische Atlantikküste hinab, während es draußen kälter und das Geld knapp wird. Am Ende müssen sie umdrehen, und der Leser erfährt Rays traurige Lebensgeschichte, von der er sich nur durch seinen Hund hat befreien können. Eine herzzerreißende Geschichte: Die Kunst der Autorin macht daraus eine Reise voll dunkel strahlendem Glanz.