Kurt Andersen Bücher

»Das postfaktische Zeitalter ist kein unerklärliches und verrücktes neues Phänomen. Im Gegenteil: Was wir jetzt sehen, ist nur die Spitze des Eisberges«, schreibt Kurt Andersen in seinem aufsehenerregenden Buch Fantasyland. Der Hang zum Magischen und Fantastischen, so der preisgekrönte Kulturjournalist, ist tief in die kollektive DNA der Amerikaner eingeschrieben. Er entstand, als europäische Siedler erstmals den Boden der »Neuen Welt« betraten, im Gepäck vor allem eins: ausgeprägten Individualismus und Lebensträume und Fantasien von epischem Ausmaß. Mitreißend und eloquent erzählt Andersen vom großen amerikanischen Experiment – und warum es so spektakulär scheiterte. Wer verstehen will, wie die Grenze zwischen Realität und Illusion derart verrutschen und ein Mann wie Donald Trump es ins Weiße Haus schaffen konnte, muss dieses Buch lesen.

Ein berauschender Roman über die Geburtsstunde des modernen Amerika 1848: Zu Hunderttausenden strömen Einwanderer im Hafen von New York von Bord der aus Europa kommenden Dampf- und Segelschiffe. Darunter auch Benjamin Knowles, der der alten Welt den Rücken gekehrt hat, um sich in Amerika neu zu erfinden. Sofort gerät er in den Sog des Großstadtgewimmels, verliebt sich haltlos in die Schauspielerin Polly und folgt schließlich ihr und dem großen Goldrausch nach Kalifornien. Ein kolossales Gemälde vom Anbruch einer neuen Epoche.

Americans have disabled the government's ability to solve even basic problems, making us vulnerable to the most dangerous demagogue ever to pretend to the White House. Kurt Andersen shows how the masterminds of the economic right rode an unprecedented wave of nostalgia by dressing up their harsh new rich-get-richer system in patriotic old-time drag, making it their mission to take over the government for their purposes alone and convincing the country that the mid-century consensus about the function of the American government was all wrong. Only a writer with Andersen's crackling energy, deep intelligence, and ability to see complex systems with clarity could make such a vital book both intellectually formidable and completely entertaining. In his diagnosis of what happened and what it means for us today, Andersen spares no one, committing to a pinpointing of his own boomer generation as accessories to the great dismantling of the American experiment

"A damning indictment of private equity" (New York Review of Books), this authoritative exposé shows what it is, how it kills businesses and jobs, how the government helps, and how we stop it. Private equity surrounds us. Firms like Blackstone, Carlyle, and KKR are among the largest employers in America and hold assets that rival those of small countries. Yet few understand what these firms are or how they work. In Plunder, Brendan Ballou explains how private equity has reshaped American business by raising prices, reducing quality, cutting jobs, and shifting resources from productive to unproductive parts of the economy. Ballou vividly illustrates how private equity firms buy up retailers, medical practices, prison services, nursing-home chains, and mobile-home parks, among other businesses, using little of their own money to do it and avoiding debt and liability for their actions. Forced to take on huge debts and pay extractive fees, companies purchased by private equity firms are often left bankrupt or as shells of their former selves, with consequences for the communities that long depended on them. Perhaps most startling is Ballou's insight into how this is happening with the active support of various arms of the government. But, as Ballou reveals in an agenda for reining in the industry, private equity can be stopped from wreaking further havoc.

Kurt Andersen's Millennium novel mirrors Tom Wolfe's "Bonfire of the Vanities," depicting a year in the life of a New York family while offering a satirical glimpse into America's potential future, focusing on media and big business.

'Stories' is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some writers in the world - from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult - the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and 'master anthologist' ('Booklist') Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this 'new literature of the imagination' is high. Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in 'Devil on the Staircase'. In 'Catch and Release', Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in 'Unwell'. Joanne Harris weaves a tale of ancient gods in modern New York in 'Wildfire in Manhattan'. Vengeance is the heart of Richard Adams's 'The Knife'. Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in 'The Therapist'. A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette 'The Truth Is a Cave in the Black Mountains'.

This anthology of travel literature brings to life the idea that travel can inspire, entertain, enlighten and change lives.