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In 1960 the government of Trinidad invited V. S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he has created a deft and remarkably prescient portrait of Trinidad and four adjacent Caribbean societies; countries haunted by the legacies of slavery and colonialism and so thoroughly defined by the norms of Empire that they can scarcely believe that the Empire is ending. In <b>The Middle Passage</b>, Naipaul watches a Trinidadian movie audience greeting Humphrey Bogart's appearance with cries of "That is man!" He ventures into a Trinidad slum so insalubrious that the locals call it the Gaza Strip. He follows a racially charged election campaign in British Guiana (now Guyana) and marvels at the Gallic pretension of Martinique society, which maintains the fiction that its roads are extensions of France's <i>routes nationales</i>. And throughout he relates the ghastly episodes of the region's colonial past and shows how they continue to inform its language, politics, and values. The result is a work of novelistic vividness and dazzling perspicacity that displays Naipaul at the peak of his powers.
Buchkauf
Caribische reis, V. S. Naipaul, Tinke Davids
- Sprache
- Erscheinungsdatum
- 2007
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- Beschädigt
- Preis
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- Titel
- Caribische reis
- Sprache
- Niederländisch
- Autor*innen
- V. S. Naipaul, Tinke Davids
- Verlag
- Pandora Pockets
- Erscheinungsdatum
- 2007
- Einband
- Paperback
- Seitenzahl
- 268
- ISBN10
- 9046700291
- ISBN13
- 9789046700297
- Reihe
- Schlagwörter
- Sachbücher, Klassiker, Politik, Reisen, Nobelpreis
- Beschreibung
- In 1960 the government of Trinidad invited V. S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he has created a deft and remarkably prescient portrait of Trinidad and four adjacent Caribbean societies; countries haunted by the legacies of slavery and colonialism and so thoroughly defined by the norms of Empire that they can scarcely believe that the Empire is ending. In <b>The Middle Passage</b>, Naipaul watches a Trinidadian movie audience greeting Humphrey Bogart's appearance with cries of "That is man!" He ventures into a Trinidad slum so insalubrious that the locals call it the Gaza Strip. He follows a racially charged election campaign in British Guiana (now Guyana) and marvels at the Gallic pretension of Martinique society, which maintains the fiction that its roads are extensions of France's <i>routes nationales</i>. And throughout he relates the ghastly episodes of the region's colonial past and shows how they continue to inform its language, politics, and values. The result is a work of novelistic vividness and dazzling perspicacity that displays Naipaul at the peak of his powers.