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Kino und Gesellschaft

Diese Reihe befasst sich mit der vielschichtigen Beziehung zwischen Kino und gesellschaftlichen Strukturen. Jeder Band untersucht, wie Filme unsere Welt widerspiegeln, gestalten und kritisieren. Sie bietet tiefe Einblicke in die Art und Weise, wie visuelle Medien unser Verständnis von Geschichte, Kultur und Identität beeinflussen. Dies ist eine unerlässliche Lektüre für jeden, der sich für Filmwissenschaften und Sozialwissenschaften interessiert.

Licence to Thrill
Licence to Thrill
Propaganda and the German cinema
  • This is the most comprehensive analysis to date of Nazi film propaganda in its political, social, and economic contexts, from the pre-war cinema as it fell under the control of the Propaganda Minister, Joseph Goebbels, through to the end of the Second World War. David Welch studies more than one hundred films of all types, identifying those aspects of Nazi ideology that were concealed in the framework of popular entertainment.

    Propaganda and the German cinema
    4,2
  • Licence to Thrill

    • 336 Seiten
    • 12 Lesestunden

    Follows Bond from the 1962 'Dr No', through the subsequent Bond films, exploring them within the culture and politics of the times, as well as within film culture itself. This work provides coverage of Brosnan as Bond in The World is Not Enough and Die Another Day; and includes a chapter on Casino Royale and Daniel Craig's new-look Bond.

    Licence to Thrill
    4,0
  • Licence to Thrill

    A Cultural History of the James Bond Films

    • 192 Seiten
    • 7 Lesestunden

    A cultural history of the most popular and enduring film series of all time. Chapman explores the origins of the Bond films in Fleming's novels, locates them in the spy thriller genre, discusses the Bond formula and places the suave British secret agent's adventures in cinema history and film culture.

    Licence to Thrill
    4,2