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Maria Hlavajova

    Maria Hlavajova ist die Gründungsintendantin von BAK (basis voor actuele kunst, Utrecht) und war Intendantin von Former West (2008–2016). Ihre Arbeit konzentriert sich auf Kunst als Form des kritischen Denkens und des gesellschaftlichen Engagements. Sie betont künstlerische Praktiken, die zeitgenössische soziale und politische Landschaften untersuchen und neu gestalten. Ihr Ansatz hebt die Fähigkeit der Kunst hervor, Raum für Reflexion und Dialog über drängende globale Fragen zu schaffen.

    Deserting from the Culture Wars
    We Roma: A Critical Reader in Contemporary Art
    Toward the Not-Yet
    • Toward the Not-Yet

      • 224 Seiten
      • 8 Lesestunden
      4,4(3)Abgeben

      Combining handbook, dictionary, and anthology, investigations and examples of artistic practices aimed at social change.This volume from BAK, basis voor actuele kunst, combines handbook, dictionary, and anthology to investigate artistic practice aimed at achieving social change. With text and visual essays, definitions, exercises, interviews, and images, the contributors envision a praxis that is committed to experimenting with aesthetics and politics in ways that go beyond the conventions of Western modernity. These are practices that are interdisciplinary, theoretically informed, and politically driven, offering ways of "being together otherwise." Catalyzed by the work of artist Jeanne van Heeswijk, which focuses on radicalizing civic processes, Toward the Not-Yet imagines and enacts alternative ways of conceiving the present and future.Contributors, among them notable artists, scholars, activists, and writers consider ways of participating in civic life, including "dreamscaping" and "radical listening"; the creation of safer spaces for humans and nonhumans; ways of radically shifting laws and policies; and tactics and methods of collective sanctuary. Toward the Not-Yet is part of BAK's series of BASICS readers, debuting a SUPERBASICS variation that is larger, with more visual content.Copublished with BAK, basis voor actuele kunst

      Toward the Not-Yet
    • Merging theoretical models derived from anthropology and from contemporary art discourse, "We Roma: A Critical Reader in Contemporary Art" looks at the Roma (i.e. Romany, or gypsy) lifestyle and examines its resonances with current civic and artistic concerns. As social and economic injustice extends from the historically marginalized to the "99 percent," this volume takes ideas from gypsy culture and the pioneering work of anthropologist Alfred Gell to propose alternative modes of existence for the disenfranchised. It contains both old and new writing by artists, theorists and activists of both Roma and non-Roma origin: Albert Atkin, Huub van Baar, Zygmunt Bauman, Delaine & Damian James le Bas, Ethel Brooks, Agnes Daroczi, Tony Gatlif & Cecile Kovacshazy, Ian Hancock, Sanja Ivekovic, Timea Junghaus, Irit Rogoff, Regina Romhild & Bonaventure Soh Bejeng Ndikung, Salman Rushdie and Mike Sell.

      We Roma: A Critical Reader in Contemporary Art
    • Deserting from the Culture Wars

      • 150 Seiten
      • 6 Lesestunden
      3,2(6)Abgeben

      "Deserting from the Culture Wars reflects upon and intervenes in our current moment of ever-more polarizing ideological combat, often seen as the return of the "culture wars." How are these culture wars defined and waged? Engaging in a theater of war that has been delineated by the enemy is a shortcut to defeat. Getting out of the reactive mode that produces little but a series of Pavlovian responses, this book proposes a tactical desertion from the culture wars as they are being waged today--a refusal to play the other side's war games, an unwillingness to be distracted.The volunteer troops in the culture wars are often given marching orders by professional masters of propaganda. What, then, might artists and others who are professionally engaged with images and imaginaries, with narratives and assemblies, have to contribute to the collective discovery of different modes of living culture? Far from limiting the performance of culture to a one-sided speech act, to the abstract "right to say something," an emancipatory understanding of culture needs to conceive of it as embodied and intersubjective--as a collective performance." -- Provided by publisher

      Deserting from the Culture Wars