Adi Kuntsman Bücher

This collection reflects on the emerging phenomenon of ‘selfie citizenship’, which capitalises on individual visibility and agency, at the time when citizenship itself is increasingly governed through biometrics and large-scale dataisation. Today we are witnessing a global rise of politicised selfies: photographs of individuals with handwritten notes or banners, various selfie memes and hashtag actions, spread on social media in actions of protest or social mobilistion. Contributions in this collection range from discussions of citizen engagement, to political campaigning, to selfies as forms of citizen witnessing, to selfies without a face. The chapters cover uses of selfies by activists, tourists and politicians, victims and survivors, adults and children, in a broad range of geopolitical locations –China, Germany, Iran, Nepal, Pakistan, Singapore, South Korea, Sweden, the UK and the US. Written by an international and interdisciplinary group of authors, from senior professors to junior scholars, artists, graduate students and activist, the book is aimed at students, researchers, and media practitioners.

This book offers a critical analysis of the complex relationship between violence and belonging, by exploring the ways sexual, ethnic or national belonging can work through, rather than against, violence. Based on an ethnographic study of Russian-speaking, queer immigrants in Israel/Palestine and in cyberspace, it gives an insight into the world of hate speech and fantasies of torture and sexual abuse; of tormented subjectivities and uncanny homes; of ghostly hauntings from the past and anxieties about the present and future. The author raises questions about the responsibilities of national homemaking, the complicity of queerness within violent regimes of colonialism and war, and the ambivalence of immigrant belonging at the intersection of marginality and privilege. Drawing from scholarship on migration, diaspora and race studies, feminist and queer theory, psychoanalysis and studies on cyberculture, the book traces the interplay between the different forms of violence – physical and verbal, social and psychic, material and discursive – and offers novel insights into the analysis of nationalism, on-line sociality and queer migranthood.

Digital Militarism considers how social media has become a crucial site in which the Israeli military occupation is supported and sustained.

Exploring the intersection of cultural studies and digital media, this collection of fifteen essays delves into the complexities of affect, feelings, and emotions in the context of new technologies. The contributors engage in a rich dialogue that transcends traditional disciplinary boundaries, examining how these themes manifest across various media platforms and cultural contexts. This interdisciplinary approach highlights the evolving relationship between human emotion and digital culture, making it a compelling read for those interested in contemporary media studies.