Patrick McGrath ist ein britischer Romanautor, dessen Werk oft der Gothic Fiction zugeordnet wird. Seine Prosa taucht tief in die dunklen Winkel der menschlichen Psyche ein und befasst sich häufig mit Themen wie Obsession, Schuld und zerbrochenen Beziehungen. McGrath versteht es meisterhaft, Spannung und Atmosphäre aufzubauen und zieht die Leser in Welten voller Geheimnisse und moralischer Ambiguität. Sein unverwechselbarer Stil ist bildhaft und erforscht die Faszination der Menschheit für die Schattenseiten der Existenz.
Eine junge Frau entdeckt sich selbst Eine rätselhafte Aura umgibt die schmale junge Frau, der Sidney bei einer Buchpräsentation in New York begegnet. Constance zieht ihn erotisch an und weckt seinen Beschützerinstinkt. Dass sie unter einem Trauma leidet, lässt ihn nicht unberührt. Wo bleiben echte Nähe und Liebe in ihrer Ehe, frei von Verdächtigung und Rollenzwang? In zarten Momenten deutet sich so etwas an. Virtuos lässt Patrick McGrath im Wechsel Constance und Sidney erzählen, ihre gegenseitige Wahrnehmung und die dramatischen Ereignisse in Constances Familie vor Augen führen.
It is 1975 and an old man, Francis McNulty, a veteran of the Spanish Civil War, is beset with sightings in his garden of his old nemesis, General Franco. The general is in fact in Spain, on his deathbed, but Francis is deeply troubled, as is his daughter Gillian, who lives with him in Cleaver Square. Francis' account of his haunting is by turns witty, cantankerous and nostalgic. At times he drifts back to his days in Madrid, when he rescued a young girl from a burning building and brought her back to London with him. There are other, darker events from that time, involving an American surgeon called Doc Roscoe, and a brief, terrible act of betrayal. When Gillian announces her forthcoming marriage to a senior civil servant, Francis realizes he has to adapt to new circumstances and confront his past once and for all. Highly atmospheric, and powerfully dramatic, rich in pathos and humour, Last Days in Cleaver Square confirms a major storyteller at the height of his powers. '[W]onderfully sinister ... a delight ... you are in for a thrilling ride.' Spectator on The Wardrobe Mistress.
Es wird wieder Theater gespielt in London in diesem eisigen Winter 1947. Doch der beliebte Schauspieler Charlie Grice ist nun tot. Seine Witwe Joan, die Gewandmeisterin, und ihre Tochter Vera sehen mit gemischten Gefühlen, wie ein anderer seine Glanzrolle übernimmt. Allzu nahtlos? Magisch lebensnah? Ein prickelnder Roman um Liebe, Tod und Trauer, tröstliche Kleider und schreckliche Uniformen.
Set in the sinister monastery of The Capuchins in Madrid, The Monk is a violent tale of ambition, murder, and incest. The great struggle between maintaining monastic vows and fulfilling personal ambitions leads its main character, the monk Ambrosio, to temptation and the breaking of his vows, then to sexual obsession and rape, and finally to murder in order to conceal his guilt. Inspired by German horror romanticism and the work of Ann Radcliffe, Lewis produced his masterpiece at the age of 19. It contains many typical Gothic elements - seduction in a monastery, lustful monks, evil Abbesses, bandits, and beautiful heroines. But, as the Introduction to this new edition shows, Lewis also played with convention, ranging from gruesome realism to social comedy, and even parodied the genre in which he was writing
Sidney, pur essendo un affermato studioso di poesia romantica, non sembra aver penetrato davvero i misteri dell’amore, quando dopo due divorzi decide quasi d’impulso di sposare una ragazza molto più giovane di lui, Constance. L’uomo, senza esserne del tutto consapevole, tende a imporle la propria volontà, mentre rischiano di uscire distrutti: la morte precoce della madre, un padre freddo e distaccato e una sorella minore, Iris, che con la sua allegria spontanea e irriverente manifesta un atteggiamento verso la vita che è l’esatto contrario di quello di Constance. Quando il padre rivela brutalmente a Constance la verità sulla sua nascita (frutto di una relazione extraconiugale della madre con il marito di Mildred, la domestica di famiglia), la giovane donna entra nel tunnel di una lucida follia che ha un solo fine: la vendetta contro Iris e Mildred, che sapevano la verità e non le hanno detto niente, e contro il proprio padre, il Grande Assente che l’inconscio ferito considera responsabile di ogni infelicità. Uno stupefatto e angosciato Sidney assiste allo sprofondare della moglie in un abisso da cui non solo il suo matrimonio, ma la sua stessa vita rischiano di uscire distrutti. Patrick McGrath torna con il suo nuovo romanzo a descrivere le piccole grandi tempeste della nevrosi e dell’esistenza umana, un destino fatto di mostri interiori, di orrori indicibili quanto familiari, tanto più insinuanti quanto più espressi dallo stile perfetto, acuminato, tutto chiarezza e classicità, di un maestro della narrativa contemporanea.
Charlie Weir si guadagna da vivere affrontando i demoni altrui. Nella sua attività di psichiatra a New York ha visto ogni tipo di trauma, eppure non riesce ancora a trovare una soluzione ai propri conflitti famigliari: l'accesa rivalità con il fratello Walter, affermato pittore; il gelo nei confronti di un padre senza nerbo; il soffocante rapporto con la madre. Né ha ancora accettato, dopo sette anni, il tragico errore costato la vita alla moglie e alla figlia, che gli ha lasciato nient'altro che una solitudine consumante e una rabbia inquieta. Quando Walt presenta Nora Chiara al fratello, questi si sente attratto tanto dalla sua bellezza mozzafiato quanto dalla sua aria sofferta. Si innamorano velocemente, avidamente, ma l'idillio ha vita breve. La vulnerabilità di lei, un tempo irresistibile, comincia ad avvelenare il rapporto finché Charlie si accorge di avere accanto una paziente più che una compagna. E mentre sonda le origini del dolore di Nora Chiara, un vago ricordo comincia ad affiorare dal suo inconscio, sollevando in lui un atroce sospetto. Il nuovo viaggio di Patrick McGrath nei labirinti dell'animo umano.
"From the days of their privileged, eccentric English childhood, Jack Rathbone has always enjoyed the adoration of his sister Gin. When both attend St. Martin's School of Art in London, it is a painful wrench for Gin to watch him fall under the spell of Vera Savage, a flamboyant, not entirely clean nor sober artist from Glasgow. Jack and Vera run off to New York and, from a bruised and bereft distance, sister Gin follows the couple's progress to Port Mungo, a seedy river town in the mangrove swamps of the Gulf of Honduras. There, Jack single-mindedly devotes himself to his art, while Vera succumbs to infidelity and a chronic restlessness, which even the birth of two daughters cannot subdue." Patrick McGrath tracks these individuals across decades and continents: the latter-day Gauguin figure Jack, his buccaneering mate Vera and their two girls, Peg and Anna, cast adrift in their parents' chaos - as observed by Gin, their far from detached chronicler. It is ultimately a world of dark tropical impulses and Manhattan art-market forces, where a mysterious death is swathed in tight complicit secrecy, and the imperatives of narcissism and art hold human beings in outlandish thrall.
I cut into my potato, and dead in the middle of the halved potato there was a . . . thick, slow discharge I recognized as blood. A wry, mesmerizing tale of madness in a London suffused with the smells of jellied eels, leaking gas, outdoor lavatories and furry feet. Spider obsesses about wetness and fire and sexuality, about "this business of the thought patterns" and "the dead eyes" of his father and a woman named Hilda. Somewhere inside Spider's internal web of illusions lurks the truth about his mother's death.
Patrick McGrath wurde 1950 in London geboren. Er besuchte ein Jesuitengymnasium und studierte Literaturwissenschaft. Nach Jahren in den USA, Kanada sowie auf einer entlegenen Insel im Pazifik lebt er heute als freier Schriftsteller in London und New York. Im Berlin Verlag erschienen Stella (1996), Port Mungo (2004), Groteske (BvT 2005) und Spider (BvT 2005).
Gin Rathbone bewundert ihren genialen Bruder Jack seit ihrer Kindheit. Ihr Leben gerät aus den Fugen, als Jack sich Hals über Kopf in die erfolgreiche Malerin Vera Savage verliebt. Er bricht sein Kunststudium ab und zieht mit Vera nach New York, wo sie in der Künstlerszene Manhattans ankommen. Doch bald erkennt Jack, dass er hier seine künstlerischen Träume nicht verwirklichen kann. Überzeugt von einem Neuanfang, überredet er Vera, nach Port Mungo zu gehen, einem heruntergekommenen Hafenstädtchen im Golf von Honduras. Dort wird ein altes Lagerhaus für Bananen zu seinem Atelier, und Jack beginnt, besessen zu malen. Vera hingegen bleibt rastlos, hat Affären und trinkt bis zur Selbstzerstörung, was auch die Geburt ihrer beiden Töchter nicht ändert. Gin, die Jack immer wieder finanziell unterstützt, erzählt die Geschichte einer großen, aber grausamen Liebe. Mit kühler Stimme beschreibt McGrath die leidenschaftliche, aber zerstörerische Beziehung der beiden Künstler, die sich gegenseitig ins Verderben treiben. Schließlich scheint nur der mysteriöse Tod der ältesten Tochter sie aneinander und an das Leben zu binden. Am Ende kann selbst Gin ihre lebenslange Bewunderung für Jack nicht aufrechterhalten.
