The collection explores various dimensions of Herta Müller's work, examining the interplay between aesthetics and politics. Contributions delve into her unique poetic imagery, with U. Steierwald discussing the influence of silence on her writing. N. O. Eke analyzes chronotopic constructions, while U. C. Weidenhiller reflects on the paradox of happiness in her narratives. P. Bozzi addresses Müller's subversion of order, and S. Li explores the connection between heart and animal imagery. J. C. Deeg investigates the ethics and poetics of visibility in Müller’s work alongside other authors. E. Kormann questions the role of linguistic artistry in depicting horror in "Atemschaukel." R. Köhnen offers insights into the political trauma reflected in Müller’s literature and its reception in Western Europe. T. von Hoorn examines the themes of camouflage and destruction in "Herztier." J.-P. Palmier discusses the cognitive and neurophysiological aspects of her imagery. D. Weissmann addresses language crises and multilingualism in her texts. M. Wernli and M. Leipelt-Tsai analyze themes of masculinity and the dynamics of departure in "Atemschaukel." H. Yamamoto tackles translation challenges, while C. Rossi interprets Müller’s collages as metaphors for subversion. Finally, B. Bannasch discusses the Lager discourse in "Atemschaukel," and a conversation between H. Yamamoto and S. Li, recorded by Deeg and Wernli, addresses translation issues.
