Vicki Goldberg Bücher

A large collection of 57 tritone images depicting the fate of Africa's large animals.

"As far back as I can remember, I have always been attracted to people, places and things that were different. The road less travelled has always been my choice to explore. Therefore it was natural for me to be interested in photographing subject matter that offers many challenges, obstacles and difficulties dealing with the pathology of our times with references to sociology and psychology.Transsexuals are unique in that they are compelled to come to terms with the male and female aspects of their personalities and bodies. Many transsexuals look like regular women in full-dress all the time, so it was important for me to convince them to be photographed nude. The majority feel that there are many men and women, but only a small group who are 'special', meaning they have breasts and a penis.The triptychs of the transvestites and drag queens reveal the temporary metamorphosis of men who choose to transform their image to relieve male pressures or for the fun of it. It is all about sexual stereotypes, the making, breaking and reshaping of those roles. This series concentrates on men who have explored these realms. They all can be viewed as accepting the yin-yang manifestations within us all and remembering that we are all different, unique and beautiful."Vivienne Maricevic (from inside front cover

Vicki Goldberg's collection of essays offers a profound exploration of photography over 25 years, addressing diverse topics from pop culture to war journalism. Her insightful critiques highlight both historical figures like Walker Evans and contemporary artists such as Bill Viola, while also examining broader themes like voyeurism and the commodification of images. Goldberg's writing challenges clichés and encourages readers to reflect on the significance and impact of photographic art, showcasing her exceptional intelligence and understanding of this evolving medium.

The human form has inspired some of the finest sculpture in art history. It also evokes in the viewer complex reactions. Looking at magnificent nude sculptures by Michelangelo, Rodin, Henry Moore, and other great artists, we are in awe of the beauty and power of the art, as well as of the nude figure. But we may also experience other emotions, perhaps uncomfortably close to those we feel when we see an unclothed human body. This astonishing work provides a visual survey of nude sculpture throughout the ages, enhanced by an illuminating essay by noted critic Vicki Goldberg probing our various responses to this most realistic art form.While photographs distance us from the art works they depict, they also offer close-up details that permit us to see nude sculptures in new and surprising ways. Photographer David Finn, who has expanded the way we look at art in Abrams' How-to-Look-at titles, enables us -- through his remarkable photographs -- to glimpse the sculptor's creative process as well as the qualities of presence, texture, and detail that give the finest sculpture its grace and majesty.

Davidsons Liebe zur Fotografie begann, als er zehn Jahre alt war. Der Sohn einer hart arbeitenden geschiedenen Mutter war ein Einzelgänger, der in der Schule schlecht zurecht kam und nur schwer Kontakt fand. Befreiung aus den Fesseln seiner Jugend brachte ihm die Kamera, die ihn ein leben Lang begleiten sollte. Vicki Goldbergs fundierte Monographie über Bruce Davidson geht seinen fotografischen Ausdrucksformen und Techniken in ihrer ganzen Bandbreite nach und zeigt, welchen Einfluss Davidson auf die Fotografie des 20. Jahrhunderts hatte. Der reich illustrierte Band enthält Bilder aus den bekanntesten Werkgruppen und bisher unveröffentlichtes Material aus dem Privatarchiv des Fotografen in erstklassigen Reproduktionen. In allem zeigt sich die einfühlsame Neugier, mit der Davidson den Menschen vor der Kamera begegnet, sowie die erzählerische Kraft seiner Bilder.