Eine Neubewertung der Begriffe ‚Renaissance‘, ,Antik‘ und ‚Klassisch‘ in der Kunstgeschichte
112 Seiten
4 Lesestunden
Maria Fabricius Hansen untersucht in ihrem Werk die Renaissance und deren Verhältnis zur Vergangenheit, indem sie die Konzepte all'antica und Klassizismus hinterfragt. Sie analysiert die visuelle Kultur des 15. Jahrhunderts und stellt die gängigen kunsthistorischen Annahmen über römisch-antike Inspirationsquellen in Frage.
Danish artist Peter Linde Busk combines defeat and despair with rebellious humor to explore the grotesque conditions of human existence. His works feature tragic and awkward figures like fallen heroes, jesters, and outlaws, set against abstract backgrounds rich in detailed ornamentation. Each piece is meticulously composed using a variety of textures and techniques, often incorporating random relics from previous works. His titles, drawn from wry quotes or poetic fragments, reflect this complexity; the book's title is inspired by Rilke's words, "Who speaks of victory? To endure is all." This richly illustrated monograph includes a major essay by art historian Maria Fabricius Hansen, who connects Linde Busk’s art to medieval mosaics and Renaissance grotesques. A catalogue raisonné of works from 2015 to 2022 is accompanied by short prose texts and a playlist by writer Minna Grooss, suggesting a soundtrack to Linde Busk's materially emphatic creations. Born in 1973 in Copenhagen, Linde Busk is a prominent Danish artist educated in London, New York, and Düsseldorf. He works across various media, including painting, sculpture, relief, and mosaic, with a central theme of finding beauty in what is often deemed failed, evident in his choice of materials like discarded matter and studio debris. He currently resides and works in Berlin.