Dionne Brand Bücher

Vietnam, 1970. Es ist Krieg. Es ist Nacht. Ein Ehepaar versucht verzweifelt, mit ihrem sechsjährigen Sohn Quy aus dem Land zu fliehen. Als sie das rettende Boot erreichen, ist der Junge verschwunden. Es bleibt ihnen keine Wahl, sie müssen ohne ihn aufbrechen. Ihr Ziel heißt Kanada. Toronto, 2002. Carla, Jackie, Oku und Tuyen sind jung, befreundet und genießen das Großstadtleben. Sie alle sind in Toronto geboren und Kinder von Einwanderern der ersten Generation. Sie alle versuchen, ihren Weg zu finden. Carla arbeitet als Fahrradkurierin. Noch immer hat sie den Selbstmord ihrer Mutter nicht verwunden, den sie vor 18 Jahren mit ansehen musste. Sie kümmert sich um ihren jüngeren Bruder, der in die Kleinkriminellenszene abgerutscht ist. Jackie besitzt einen Second-Hand-Laden und will vor allem eines: sich nur nicht in Emotionen verlieren. Oku ist Poet, unglücklich verliebt in Jackie, und wagt seinem ehrgeizigen Vater nicht zu gestehen, dass er längst nicht mehr studiert. Tuyen ist Künstlerin und die Schwester des in Vietnam verlorenen Quy, den sie nie kennen gelernt hat. Noch heute vergeht kein Tag, an dem ihre Eltern nicht verzweifelt versuchen, ihren verlorenen Sohn zu finden. Während die vier zusammen die Stadt erobern, reden, Ausstellungen konzipieren, ein ganz normales urbanes Leben führen, konnte Quy in der thailändischen Unterwelt nur als Krimineller überleben. Schließlich, nach über 30 Jahren, kommt er nach Toronto. Doch kurz bevor er - lang ersehnt - seine Familie treffen wird, kommt es zu einem dramatischen Ereignis. „Wonach sich alle sehnen“ ist ein packender, herzergreifender und kosmopolitischer Roman über Identität, Verlangen und Verlust.

A Map to the Door of No Return is a timely book that explores the relevance and nature of identity and belonging in a culturally diverse and rapidly changing world. It is an insightful, sensitive and poetic book of discovery. Drawing on cartography, travels, narratives of childhood in the Caribbean, journeys across the Canadian landscape, African ancestry, histories, politics, philosophies and literature, Dionne Brand sketches the shifting borders of home and nation, the connection to place in Canada and the world beyond. The title, A Map to the Door of No Return, refers to both a place in imagination and a point in history—the Middle Passage. The quest for identity and place has profound meaning and resonance in an age of heterogenous identities. In this exquisitely written and thought-provoking new work, Dionne Brand creates a map of her own art.

"The geopolitics of empire had already prepared me for this…coloniality constructs outsides and insides—worlds to be chosen, disturbed, interpreted, and navigated—in order to live something like a real self." Internationally acclaimed poet and novelist Dionne Brand reflects on her early reading of colonial literature and how it makes Black being inanimate. She explores her encounters with colonial, imperialist, and racist tropes; the ways that practices of reading and writing are shaped by those narrative structures; and the challenges of writing a narrative of Black life that attends to its own expression and its own consciousness.

Exploring the remnants of fading cultures, this long poem weaves a narrative around Yasmine, a woman navigating an underground existence marked by flight from her past. As she traverses physical borders—Algiers, Cuba, Canada—she also confronts timeless struggles and contemporary crises. With a cold-eyed cynicism, Yasmine reflects on her solitary life, embodying themes of movement and introspection. Dionne Brand's work is a profound blend of sensuality and craftsmanship, showcasing her as a vital voice in modern poetry.

Brand's second novel, recognized as one of the "Los Angeles Times'" Ten Best Books of the Year, unfolds in 1824 Trinidad and explores a family's tragic history over a century.

Acclaimed by Adrienne Rich as fierce, sensuous . . . a work of great beauty and moral imagination, In Another Place, Not Here tells of two contemporary Caribbean women who find brief refuge in each other on an island in the midst of political uprising. Elizete, dreaming of running to another place to escape the harshness of her daily life on the island, meets Verlia, an urban woman in constant flight who has returned to her island birthplace with hopes of revolution. Their tumultuous story moves between city and island, past and future, fantasy and reality.

A smart, sensual and witty novel about what happens when love and intellect are set on a collision course. This compact tour de force affirms Dionne Brand's place as one of Canada's most dazzling and influential artists. Theory begins as its narrator sets out, like many a graduate student, to write a wildly ambitious thesis on the past, present, and future of art, culture, race, gender, class, and politics--a revolutionary work that its author believes will synthesize and thereby transform the world. While our narrator tries to complete this magnum opus, three lovers enter the story, one after the other, each transforming the endeavour: first, there is beautiful and sensual Selah, who scoffs at the narrator's constant tinkering with academic abstractions; then altruistic and passionate Yara, who rescues every lost soul who crosses her path; and finally, spiritual occultist Odalys, who values magic and superstition over the heady intellectual and cultural circles the narrator aspires to inhabit. Each galvanizing love affair (representing, in turn, the heart, the head and the spirit) upends and reorients the narrator's life and, inevitably, requires an overhaul of the ever larger and more unwieldy dissertation, with results both humorous and poignant. By effortlessly telling this short, intense tale in the voice of an unnamed, ungendered (and brilliantly unreliable) narrator, Dionne Brand makes a bold statement not only about love and personhood, but about race and gender--and what can and cannot be articulated in prose when the forces that inhabit the space between words are greater than words themselves. A gorgeous, profoundly moving, word- and note-perfect novel of ideas that only a great artist at the height of her powers could write.

A multi-cultural infusion following a close circle of second-generation 20-somethings in downtown Toronto and the secrets they hide. Tuyen, a lesbian avant-garde artist and daughter of Vietnamese parents is in love with her best friend Carla, a bi-racial bicycle courier.Oku, a poet who unbeknownst to his Jamaican family has dropped out of college is tormented by unrequited love for Jackie, who runs a hip-hop store. Quy is Tuyen's long-lost brother, whose first person narrative describes the horror of Vietnamese refugee camps and his journey to Toronto change Tuyen's life.

Flowing, seeping, leaking, cascading, shaping. Electric Brine is a volume of poetry and critical essays by women voices from diverse fields such as literature, geography, media studies, history of life sciences, sociology, and poetics of science and fiction, each of them central to the independent curatorial research entity The World in Which We Occur (TWWWO, 2014-ongoing) and its associated online study group Matter in Flux. Conceived as an anthology and a register, it serves as a testimony to the initiative’s long-standing work of creative adaptation and ecological inquiry through a quest to situate a vision of material politics through the lens of six punctuated pieces on flow and fluids. The literary and scientific fabulations found in these pages speak of the conjunction of lived embodiment, the materialized quality of language, and the ability to trigger political imagination through reading, writing and witnessing. Each of these strands polyperform under TWWWO, for they can be traced, retroactively, to the themes present in the live event series, to Matter in Flux’s private study sessions, to the initiative’s collective writing work presented in public venues and publications. Also included in this volume is an appendix documenting the years of invitation and study, intricately linked to the ideological praxis of these overlaps.