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Olga Bobrowska

    Chinese Animated Film and Ideology, 1940s-1970s
    Obsession, Perversion, Rebellion: Twisted Dreams of Central European Animation
    • Collective volume "Obsession. Perversion. Rebellion. Twisted Dreams of Central European Animation”consists of the articles dedicated to the subversive and suppressed motifs present in auteur animated films from Visegrad countries and Italy. The authors – among them Marcin Giżycki (Animator Festival; Rhode Island School of Design, USA), Bogusław Zmudziński (Etiuda&Anima IFF; AGH), Guo Chunning (Renmin University, Beijing), Denis Viren (National Institute of Arts, Moscow), Paola Bristot (Academy of Fine Arts, Venice) – examine the artistic works in the contexts of Central European politics and societies, they also investigate careers of particular artists from the region. The papers written by Polish or Czech authors dialogue with the output of the scholars from Italy, Russia or China. Joint reflection of the diverse group of the scholars outlines the landscape of animated film, an art that engaging both, the senses and the intellect. The authors draw readers' attention to several issues, among them to the question of the powerless of Polish animated satire; resemblance of animated documentary medium in the framework of both New Chinese School of Animation and contemporary Polish and Czech productions; intertextual relations between animated westerns and live-action cinema of Sergio Leone or Sam Peckinpah; artistic personalities of Jan Švankmajer, Zdzisław Kudła, or Alexander Sroczyński.

      Obsession, Perversion, Rebellion: Twisted Dreams of Central European Animation
    • Chinese Animated Film and Ideology, 1940s-1970s

      Fighting Puppets

      • 184 Seiten
      • 7 Lesestunden

      Focusing on animated propaganda from mainland China between the 1940s and 1970s, this book analyzes four puppet films to reveal the intricate relationship between animation and Maoist ideology. It explores how these films served as a medium for political messaging, illustrating the dynamic interplay between artistic expression and revolutionary doctrine during this transformative period in Chinese history.

      Chinese Animated Film and Ideology, 1940s-1970s